Balthasar van der Ast
A Tulip, a Carnation and Roses, with Shells and Insects, on a Ledge
1629-1638
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Balthasar van der Ast
A Tulip, a Carnation and Roses, with Shells and Insects, on a Ledge
1629-1638
Physical Qualities
Oil on wood panel, 12 × 15 7/8 in. (30.5 × 40.3 cm.)
Framed: 17 × 21 in. (43.2 × 53.3 cm.)
Credit Line
Art Fund established with exchange funds from gifts of Dr. and Mrs. Edgar F. Berman, Equitable Bank, N.A., Geoffrey Gates, Sandra O. Moose, National Endowment for the Arts, Lawrence Rubin, Philip M. Stern, and Alan J. Zakon
Object Number
2023.20
Seashells from the Indian Ocean, the Pacific Ocean, and the Caribbean Sea line the foreground. A rare red-and-white striped tulip, originally from Central Asia, lies toward the back of the stone tabletop. A dragonfly, bumblebee, and inchworm quietly enliven the scene.
Balthasar van der Ast was among the first generation of Dutch artists to make still-life painting a specialized genre in the 17th century. Born in Middelburg, the Netherlands, he would have been familiar with the activities of the Dutch East India Company, which transported commodities and enslaved people throughout Asia and Africa. Some of the shells depicted here would have moved through these global networks. Middelburg also held a robust intellectual community interested in botany. Varieties of flora, fauna, and other natural specimens appealed to members of the Dutch elite who collected and displayed similar rarities.
The Baltimore Museum of Art by purchase, 2023; Richard Green Gallery, London; Anonymous sale, Sotheby's, New York, 27 January 2022, lot 35 (bought in); Private collection, Europe; Anonymous sale, Christie's, London, 4 July 2018, lot 18; Anonymous sale, Mak van Waay, Amsterdam, 7 April 1970, lot 2; Ludwig Arnold Stroink (1886-1969), Enschede, by 1955; Kunsthandel Pieter de Boer, Amsterdam, by 1934; Private collection, The Netherlands.
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"De helsche en de fluweelen Brueghel en hun invloed op de kunst in de Nederlanden: naar aanleiding van de tentoonstelling in de N.V. Kunsthandel P. de Boer," Amsterdam: Kunsthandel Pieter de Boer, 1934, p. 55, no. 235.
"Boom, Bloem en Plant: Nederlandse meesters uit vijf eeuwen," Dordrecht: Dordrechts Museum, 1955, p. 6, no. 6.
L.J. Bol, "The Bosschaert Dynasty: Painters of Flowers and Fruit," Leigh-on-Sea: F. Lewis, Publishers, Limited, 1960, p. 76, no. 47, pl. 41a.
Sam Segal, "Shell Still Lifes," in ed. Sam Segal, "A Prosperous Past: The Sumptuous Still Life in The Netherlands 1600-1700," The Hague: SDU Publishers, 1989, pp.77-92.
H.E. Coomans, "Schelpenverzamelingen," in eds. Ellinoor Bergvelt and Renée Kistemaker, "De wereld binnen handbereik: Nederlandse kunst- en rarietenverzamelingen, 1585-1735," Zwolle: Waanders Publishers, 1992, pp. 192-203.
Sarvenza Ayooghi, Sylvia Böhmer, and Timo Trümper, "Die Stillleben des Balthasar van der Ast," Petersberg: Michael Imhof Verlag, 2016.
Sam Segal and Klara Alen, "Dutch and Flemish Flower Pieces: Paintings, Drawings and Prints up to the Nineteenth Century," 2 vols., Leiden: Brill, 2020.
Marisa Anne Bass, Anne Goldgar, Hanneke Grootenboer, and Claudia Swan, "Conchophilia: Shells, Art, and Curiosity in Early Modern Europe," Princeton: Princeton University Press, 2021.
H.E. Coomans, "Schelpenverzamelingen," in eds. Ellinoor Bergvelt and Renée Kistemaker, "De wereld binnen handbereik: Nederlandse kunst- en rarietenverzamelingen, 1585-1735," Zwolle: Waanders Publishers, 1992, pp. 192-203.
Sarvenza Ayooghi, Sylvia Böhmer, and Timo Trümper, "Die Stillleben des Balthasar van der Ast," Petersberg: Michael Imhof Verlag, 2016.
Sam Segal and Klara Alen, "Dutch and Flemish Flower Pieces: Paintings, Drawings and Prints up to the Nineteenth Century," 2 vols., Leiden: Brill, 2020.
Marisa Anne Bass, Anne Goldgar, Hanneke Grootenboer, and Claudia Swan, "Conchophilia: Shells, Art, and Curiosity in Early Modern Europe," Princeton: Princeton University Press, 2021.
Inscribed: Signed, lower left: B. van der ast
Artist
Balthasar van der Ast
1592–1656
Dutch, born Middelburg, Zeeland, 1593/1594 - died 1657, Delft
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