Sherrie Levine, in her words, melts down images of iconic artworks to create these geometric woodcut prints that explore ideas of originality and authorship, which are frequently entangled with gender in the patriarchal framework of Western art history. Here, she took reproductions of four works by canonical male artists—Claude Monet, Ernst Ludwig Kirchner, Piet Mondrian, and Marcel Duchamp—and scanned them into a computer program that averaged their chromatic information to 12 pixels. These woodcuts reproduce those digital color palettes using ink. Unlike the other works on view, Cohen did not collect or live with these particular prints at home. Rather, she and her late husband Nathan L. Cohen established a fund that enables BMA curators to grow and diversify the contemporary art collection, with purchases such as this one.