Félix Bracquemond, Paul Gavarni
Ah m’ame Ado’phe! m’ame Ado’phe! je ne serais pas ce que je suis sans mon vieux serpent de mère
1850-1860
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Félix Bracquemond, Paul Gavarni
Ah m’ame Ado’phe! m’ame Ado’phe! je ne serais pas ce que je suis sans mon vieux serpent de mère
1850-1860
Physical Qualities
Etching, Sheet: 311 x 220 mm. (12 1/4 x 8 11/16 in.)
Plate: 268 x 195 mm. (10 9/16 x 7 11/16 in.)
Credit Line
The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number
1996.48.4773
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art,
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
Beraldi, Henri. Les graveurs du xix siècle (Paris: L. Conquet, 1885) vol. 3, p. 94, #257.
Bibliothèque nationale (France). Inventaire du fonds français après 1800 (Paris: M. Le Garrec, 1930-ongoing) vol. 3, p. 361, #86.
Bouillon, Jean-Paul. Félix Bracquemond: Le Réalisme absolu, oeuvre gravé 1849-1859 (Geneva: Skira, 1987), pp. 163-164, #Ae38.
Armelhault, J. and E. Bocher, Gavarni: catalogue raisonné of the graphic work (San Francisco: Alan Wofsy, 2004), p. 305, #1154.
Bibliothèque nationale (France). Inventaire du fonds français après 1800 (Paris: M. Le Garrec, 1930-ongoing) vol. 3, p. 361, #86.
Bouillon, Jean-Paul. Félix Bracquemond: Le Réalisme absolu, oeuvre gravé 1849-1859 (Geneva: Skira, 1987), pp. 163-164, #Ae38.
Armelhault, J. and E. Bocher, Gavarni: catalogue raisonné of the graphic work (San Francisco: Alan Wofsy, 2004), p. 305, #1154.
Inscribed: None
Markings: Watermark: K L Collector's stamp: verso "M.I. / LUCAS / COLLECTION" (Lugt 1695c)