Armand Charnay
April Showers on Sunday Morning
1874-1884
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Armand Charnay
April Showers on Sunday Morning
1874-1884
Physical Qualities
Oil on canvas, 9 11/16 x 13 3/16 in. (24.6 x 33.5 cm.).
Credit Line
The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number
1996.45.57
In his views of the countryside, towns, and villages surrounding Paris, Armand Charnay portrayed the daily activities of local inhabitants. Here, worshipers depart from a church, huddling together against the cool, spring rain. Their colorful umbrellas, cosmopolitan commodities, seem out of place beside the centuries-old medieval church the crowd is leaving. Contrasting the scenery of ancient France with the look of the region’s then-current inhabitants is a recurring strategy Charnay used to capture an ephemeral sense of modernity. Compositions such as this one also reflect the artist’s keen interest in nature’s atmospheric effects , seen here in the dense gray clouds reflected in the wet landscape.
Publication References
"Exhibition of the George A. Lucas Art Collection," Baltimore: The Maryland Institute, 1911, cat. #139.
"The George A. Lucas Collection of the Maryland Institute," Baltimore: The Baltimore Museum of Art, 1965, cat. #58.
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art,
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
A View Toward Paris: The Lucas Collection of 19th-Century French Art
Jacobs Wing Rotations 2024
Jacobs Wing Rotations 2025
Inscribed: FACE: BR, 'A. Charnay'. VERSO, FRAME: TC, 'BMA cat./1965/#58'