Maxime Lalanne and Cadart & Luce
Avenue de Boulogne, Vue Prise de la Porte d’Auteuil
1869-1870
Scroll
- Artist: Maxime Lalanne
- Publisher: Cadart & Luce
Avenue de Boulogne, Vue Prise de la Porte d’Auteuil
1869-1870
Physical Qualities
Etching, Sheet: 154 x 232 mm. (6 1/16 x 9 1/8 in.)
Image: 126 x 211 mm. (4 15/16 x 8 5/16 in.)
Credit Line
The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number
1996.48.17924
In Avenue de Boulogne, rows of tree stumps stand like
gravestones, while a lone figure fishes off the edge of a
massive fallen tree in The Current State of the Pond at
Auteuil. Maxime Lalanne made these prints after witnessing
the environmental destruction caused by the Franco-Prussian War (1870–1871), a defeat for the French army.
During this conflict, the Prussian army besieged Paris, and
both the French and Prussian armies as well as civilians
resorted to cutting down trees in public parks to make
fortifications and to burn as fuel.
Wars between governments over resources have
devastating consequences not only for those who fight, but
also for the environment in which they are fought. Lalanne’s
series foregrounds the ways that the desire for territory can
cause harm to the land itself.
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art,
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
Deconstructing Nature: Environmental Transformation in the Lucas Collection
Inscribed: Signed in plate: lower left "Lalanne" Inscribed in plate: lower left "Maxime Lalanne, del. et sculp."; lower center "AVENUE DE BOULOGNE, VUE PRISE DE LA PORTE D'AUTEUIL. / SAINT CLOUD AU FOND, DÉVASTATION DU BOIS DU BOULOGNE. / 1870-71."; lower right "Paris, CADART & LUCE, Edit. Imp."
Markings: None
