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Buddhist-Hindu Lamp (Sukunda) with Five-Headed Cobra and Seated Vishnu - Image 1
Buddhist-Hindu Lamp (Sukunda) with Five-Headed Cobra and Seated Vishnu - Image 2
Buddhist-Hindu Lamp (Sukunda) with Five-Headed Cobra and Seated Vishnu - Image 3
Buddhist-Hindu Lamp (Sukunda) with Five-Headed Cobra and Seated Vishnu - Image 4

Newar

Buddhist-Hindu Lamp (Sukunda) with Five-Headed Cobra and Seated Vishnu

Hindu, 1800-1899

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Newar

Buddhist-Hindu Lamp (Sukunda) with Five-Headed Cobra and Seated Vishnu

Hindu, 1800-1899

Physical Qualities Metal alloy, 8 1/2 in. (21.6 cm.) L
Credit Line Lockwood de Forest Collection
Object Number 1922.2.33
This lamp has a leaf-shaped bowl for burning oil, a snake-skin patterned handle terminating in a five-headed cobra, and a pitcher-form body for storing oil, typically mustard oil. A figure of Ganesh (or Ganesha) would have been attached at the base of the leafshaped bowl but is missing from this lamp. The elephant-headed Ganesh is regarded as the protector who will remove obstacles to a successful outcome. Skulls encircling the lamp show the power of Ganesh’s protection. Lamps are used in rituals for important events including birth, marriage, death, New Year’s celebrations, promotions, passing an examination, or surviving an accident. In Kathmandu’s Newar culture, the household’s oldest female member lights the lamp and serves auspicious food and wine to the person being honored as well as others in attendance.
The Baltimore Museum of Art by purchase, 1922; American Art Galleries, New York; Lockwood de Forest purchased in India, probably 1914
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Catalogue of the Rare and Valuable Examples of East Indian Persian and Syro-Damascan Art and Curios forming the private collection of the widely known artist and connoisseur Lockwood De Forest, Esq. of New York City, NY: American Art Association, 1922, no. 70.
Anne Suydam Lewis, Lockwood de Forest Painter Importer Decorator, Huntington, NY: Hecksher Museum, 1976, pp. 4-10, 12-32.
Roberta A. Mayer, "The Aesthetics of Lockwood de Forest," "Winterthur Portfolio," 31:1, The Henry Hrancis du Pont Winterthur Museum, Inc., 1996, pp. 1-22.

Culture

Newar

2000–2000

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