Andy Warhol
Camouflage
1985
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Andy Warhol
Camouflage
1985
Physical Qualities
Synthetic polymer paint and silkscreen ink on canvas, 116 x 200 in. (294.6 x 508 cm.)
Credit Line
Purchase with funds provided through the Pearlstone Family Fund; and partial gift of The Andy Warhol Foundation for the Visual Arts, Inc.
Object Number
1994.36
Warhol’s series of Camouflage paintings takes a ready-made pattern from a functional military design and emphasizes its decorative qualities through repetition and heightened color combinations. While the composition suggests the all-over fields of shape and color of mid 20th-century abstract painting, it also evokes the bold patterns that appear in the paintings of Henri Matisse, an artist whom Warhol identified as a role model and whose work can be viewed in the BMA’s Cone Wing. As the purpose of camouflage is to shield whatever lies underneath, it serves as a provocative emblem for an artist well known for his inclination to hide behind the persona he created for himself. “If you want to know all about Andy Warhol,” he said, “just look at the surface of my paintings and films and me, and there I am. There’s nothing behind it.”
The Baltimore Museum of Art by purchase and partial gift, 1994; The Andy Warhol Foundation for the Visual Arts, Inc.; Estate of Andy Warhol
Joseph D. Ketner II, "Andy Warhol: The Last Decade," Milwaukee Art Museum, September 23, 2009-January 3, 2010; circulated to Museum of Modern Art, Fort Worth, February 15-May 15, 2010; Brooklyn Museum of Art, June 18-September 12, 2010; and The Baltimore Museum of Art, October 17, 2010-January 9, 2011.
John Dorsey, "BMA acquires 18 Warhols," "The Sun," Baltimore, Maryland, May 5, 1994, pp. 1A, 25A.
Joseph D. Ketner II, "Andy Warhol: The Last Decade," Milwaukee/New York: Milwaukee Art Museum/DelMonico Books, 2009, no. 71, pp. 176, 209, ill. p. 176.
Inscribed: FRONT: clean; right margin, in ink, "34-16-942"