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Carte d’Entree (Entry card) for the Exposition de Peinture et de Sculpture des Naturalistes (Exhibition of Painting and Sculpture by Naturalists) - Image 1
Carte d’Entree (Entry card) for the Exposition de Peinture et de Sculpture des Naturalistes (Exhibition of Painting and Sculpture by Naturalists) - Image 2

Marius Perret

Carte d’Entree (Entry card) for the Exposition de Peinture et de Sculpture des Naturalistes (Exhibition of Painting and Sculpture by Naturalists)

1879-1898

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Carte d’Entree (Entry card) for the Exposition de Peinture et de Sculpture des Naturalistes (Exhibition of Painting and Sculpture by Naturalists)

Marius Perret

Carte d’Entree (Entry card) for the Exposition de Peinture et de Sculpture des Naturalistes (Exhibition of Painting and Sculpture by Naturalists)

Marius Perret

Carte d’Entree (Entry card) for the Exposition de Peinture et de Sculpture des Naturalistes (Exhibition of Painting and Sculpture by Naturalists)

1879-1898

Physical Qualities Etching, Sheet: 93 × 120 mm. (3 11/16 × 4 3/4 in.) Plate: 69 × 98 mm. (2 11/16 × 3 7/8 in.)
Credit Line The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number 1996.48.14017
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art, through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
Deconstructing Nature: Environmental Transformation in the Lucas Collection

Artist

Marius Perret

1852–1899

French, 1853 - 1900
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Not on View

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BY SAME ARTIST
PRINTS, DRAWINGS & PHOTOGRAPHS
A. B. Duhamel, Frans Hals, and others
Portrait of René Descartes
1759–1799
EXPOSITION DE PEINTURE DE 1868.-- LE DERNIER COUP DE PINCEAU.
Etienne and Honoré Daumier
Exposition de peinture de 1868.-- Le dernier coup de pinceau.
1867
Michalis Pichler, Stéphane Mallarmé, and others
Un Coup de dés jamais n'abolira le hasard (sculpture)
2007
DESIGN FOR "SCULPTURE FOR PREPARED LAWN"
James Rosenquist
Design for "Sculpture for Prepared Lawn"
1965
THE DISADVANTAGE OF SENDING A BAD PAINTING TO THE EXHIBITION. - THEY WROTE ACROSS MY FOREST! SPINACH TWELVE SOUS PER METER! - AND WHAT ABOUT ME, MY MAGNIFICENT STUDY WORTHY OF GÉRICAULT,... THEY HAD THE AUDACITY TO STICK THIS LABEL ON IT!! THIS IS A HORSE, DON'T MISTAKE IT FOR AN ASS WHICH MIGHT CONFUSE IT WITH THE AUTHOR!
Honoré Daumier
Inconvenient d'envoyer un mauvais tableau à l'exposition. Ils ont écrit au dessus de ma forêt! - Epinards douze sous le mètre! Et moi donc, ma magnifique étude digne de Géricault, ils ont eu la barbarie d'y coller cette étiquette! ceci est un cheval, ne pas le prendre pour un âne ce qui ferait confusion avec l'auteur!
1847
ZADKINE, 'MAY, 1940: THE DESTROYED CITY.' PHOTOGRAPH TAKEN IN THE WURTZBURGER SCULPTURE GARDEN (ORIGINAL SITE, TIMBERLANE)
Barbara Young
Zadkine, 'May, 1940: The Destroyed City.' Photograph taken in The Wurtzburger Sculpture Garden (original site, Timberlane)
1972
ZADKINE, 'MAY 1940: THE DESTROYED CITY. PHOTOGRAPH TAKEN IN THE WURTZBURGER SCULPTURE GARDEN (ORIGINAL SITE, TIMBERLANE)
Barbara Young
Zadkine, 'May 1940: The Destroyed City. Photograph taken in The Wurtzburger Sculpture Garden (original site, Timberlane)
1972
EXPLOITING FRIENDSHIP. MY DEAR ALPHONSE, I'VE INVITED THESE GENTLEMEN, MY FRIENDS, TO DINE AT YOUR HOME. I WOULD LIKE THEM TO TASTE OUR CHAMPAGNE, WE'LL LAUGH... WAIT A MINUTE! I'VE AN IDEA. WHAT IF WE WENT TO THE WOOD? WE COULD TAKE YOUR BAROUCHE AND YOU COULD LEND US SOME CLOTHES AS WE ONLY CAME TO PAY A SIMPLE VISITE... IN THE MEANTIME, WHY DON'T YOU GIVE US SOME CARDS AND SOME NAPOLEONS TO PASS THE TIME. EH? MY GOOD ALPHONSE, DEAR CHAP. HOW A
Honoré Daumier
Exploitation de l’amitié. Mon cher Alphonse, j’ai invité ces messieurs (des amis) à déjeuner chez toi, Je veux leur faire goûter notre Champagne, nous rirons…. Tiens, une idée !! Si nous allions au bois? Nous prendrions ta calèche et tu nous prêterais quelques habits car nous sommes venus en voisins…… En attendant fais nous donner des cartes et quelques napoléons pour tuer le temps, mon bon Alphonse, mon cher ami, excellent garçon va !
1836
GREAT EXHIBITION... OF INDUSTRY AND CONTEMPORARY JOKES. ENTER AND JUDGE FOR YOURSELF! EVERYTHING IS ARRANGED AND READY: THE PANCAKE OF THE COURTS GOOD FOR DIGESTION (TO THE SIDE: AND DIFFICULT TO DIGEST). THE MASTER-THIEF WHO CATCHES ALL!! (SAVE FOR HIS SHADOW). LIQUID BITUMEN! (EXACTLY). MEN'S SHIRTS FOR THE USE OF LITTLE CHILDREN. THE MARVELLOUS INDESTRUCTIBLE HATS (THAT MELT IN THE SUN AND DISSOLVE IN THE RAIN). DROMEDAR CREAM IN GREAT DEMAND
Honoré Daumier
Grande Exposition de l'industrie et des Blagues contemporaines. Entrez et jugez! J'ai tout dirigé tout encouragé, la galette des Tribunaux consacrée au digeste, (à Part: et d'une digestion difficile). La Phisyonochipe qui attrape tout! (hormis la ressemblance) Le bitume coulé (tout-à-fait,) Les Chemises d'hommes à l'usage des petits enfans dont on n'apperçoit que les (Colles.) Les chapeaux merveilleux indestructibles (qui fondent au soleil et se délayent à la pluie). La pommade du Dromadaire tant recherchée! (par les chameaux.) La graine de niais que vous connaissez (tous.) La Brasserie anglaise qui mousse si bien! (dans les Journaux.) et le sublime, le classique charbon de St Pétrain quon peut mettre à l'épreuve (du feu.).
1838
Prestige Cloth with Interlock Design
Shoowa and Unidentified
Prestige Cloth with Interlock Design
1899–1939
Prestige Cloth with Thick Pile and "Double Knot" Design
Kuba, Shoowa, and others
Prestige Cloth with Thick Pile and "Double Knot" Design
1949–1968
Prestige Cloth with Thick Pile and "Jagged Blocks" Design
Kuba, Shoowa, and others
Prestige Cloth with Thick Pile and "Jagged Blocks" Design
1958–1986