Simone Brangier Boas
Ceres
1925
Scroll
Simone Brangier Boas
Ceres
1925
Physical Qualities
Wood, 17 7/8 × 13 1/4 × 10 3/8 in. (45.4 × 33.7 × 26.4 cm.)
Credit Line
The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland
Object Number
1950.393
A native of France Simone Brangier Boas studied art at the University of California and at the San Franicisco School of Art. Upon her return to Europe, she entered the class of the well-known French sculptor Antoine Bourdelle at the Académie de la Grande Chaumière in Paris. She moved to Baltimore in 1920 when she married Dr. GeorgeBoas, who later became a professor of philosophy at The Johns Hopkins University and a trustee of the Baltimore Museum of Art. Her works were displayed internationally and nationally, including installations at the Maryland Institute, College of Art, The Baltimore Museum of Art, the Museum of Modern Art, the Philadelphia Museum of Art and the University of Delaware, among others. One of her biggest supporters in Baltimore was Etta Cone, who purchased two of her sculptures, which were prominently displayed in her apartment alongside works by Matisse, Picasso, van Gogh and Renoir.
The Baltimore Museum of Art by bequest, 1949; Etta Cone (1870–1949), Baltimore, acquired from artist
Cone Collection of Modern Paintings and Sculpture
Etta Cone, "The Cone Collection of Baltimore Maryland," (Baltimore: Etta Cone publisher, 1934) 23, pl. 125 a.
"Handbook of the Cone Collection," (Baltimore: BMA, 1955) 44, no. 130.
"Handbook of the Cone Collection, Revised Edition," (Baltimore: BMA, 1967) 69 no. 120.
Charlotte Streifer Rubinstein, "American Women Sculptors: A History of Women Working in Three Dimensions," (Boston: G. K. Hall & Co., 1990) 243.
Transmission/Transgression. Maîtres et élèves dans l’atelier: Rodin, Bourdelle, Giacometti, Richier.... Paris: Musée Bourdelle/Paris Musées, 2018.
Rubinstein, Charlotte Streifer. "American Women Sculptors: A History of Women Working in Three Dimensions," Boston, MA: G.K. Hall., 1990, pp. 242–3
"Preserving the Legacies of Women Artists," BMA Stories, October 2, 2019
"Preserving the Legacies of Women Artists," BMA Stories, October 2, 2019
Inscribed: Underside of base: worn off illegible labels
