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Charles-Quint ramassant le pinceau du Titien

Marie-Alexandre Alophe, Robert-Henry Fleury, and others

Charles-Quint ramassant le pinceau du Titien

1842

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Charles-Quint ramassant le pinceau du Titien

Marie-Alexandre Alophe, Robert-Henry Fleury, and others

Charles-Quint ramassant le pinceau du Titien

Charles-Quint ramassant le pinceau du Titien

1842

Physical Qualities Lithograph, Sheet: 203 x 224 mm. (8 x 8 13/16 in.) Image: 123 x 135 mm. (4 13/16 x 5 5/16 in.)
Credit Line The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number 1996.48.16228
Published in the journal "L'Artiste"
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art, through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris

Inscribed: Signed in stone: lower left "M. Alophe d'après R. Fleury" Inscribed in stone: upper center "L'ARTISTE."; lower center "Charles quint ramassant le pinceau du Titien."; bottom right "Lith. Guillet"

Markings: Blindstamp: bottom left "L'Artiste" (Lugt 36)

Artist

Marie-Alexandre Alophe

1811–1882

French, 1812 - 1883
Meet Marie-Alexandre Alophe

Artist

Robert-Henry Fleury

2000–2000

European, dates unknown
Meet Robert-Henry Fleury

Printer

Guillet

2000–2000

French
Meet Guillet
Not on View

Explore the Collection Further

BY SAME ARTIST
PRINTS, DRAWINGS & PHOTOGRAPHS
THE GIAOUR
Marie-Alexandre Alophe, Ary Scheffer, and others
Le Giaour
1827–1837
INTERIOR SCENE WITH COUPLE AT CENTER
Henri Jean Augustin Leys
Publication des Edits de Charles - Quint Anvers
1834–1868
ARY SCHEFFER
Cattier and Marie-Alexandre Alophe
Ary Scheffer
1840–1857
ABDICATION OF CHARLES V
Adolphe Jean Baptiste Bayot, Louis Gallait, and others
Abdication de Charles Quint
1829–2000
JEAN GIGOUX
Marie-Alexandre Alophe and Aubert & Cie.
Jean Gigoux
1831–1882
THE ABSENT-MINDED. THIS ARTIST, AFTER HAVING BEEN TO THE SALON, IS SEIZED BY A SUBLIME INSPIRATION AND APPROACHES HIS CANVAS. ALL OF A SUDDEN, TONES OF MUSIC, THE MOST PIQUANT EFFECT THE MOST DELICATE TOUCH PROMISING A MASTERPIECE. 2, 3, 4 HOURS GONE BY AND SOMETHING AS APPEALING AS A TITIAN, MICHELANGELO IS LEFT TO POSTERITY..... AFTERWARDS, ONCE HIS EXCITEMENT HAS SUBSIDED, HE REALIZES..... HE HAD FORGOTTEN TO USE THE BRUSH.
Honoré Daumier
Le Distrait. Cet artiste revient du salon, et saisi d’une inspiration sublime il s’approche de sa toile; tout à coup les tons les plus suaves; les effets les plus piquans, la touche la plus délicate promettent un chef-d’œuvre; eux, trois, quatre heures se passent, la postérité l’appelle, il est grand comme le Titien, comme Michel-Ange … puis son imagination se calme, le voilà maître de lui même oh douleur! ….. il n’a fait que remuer les doigts, il n’avait pas pris son pinceau.
1840
ROMANTIC LANDSCAPE
Marie-Alexandre Alophe, Paul Huet, and others
Paysage Romantique
1831–1882
STUDY FOR "THE TOMB OF CHARLES BAUDELAIRE" (REFUSED ETCHING)
Henri Matisse and Henri Matisse, Presentation Maquette, Poésies de Stéphane Mallarmé
Study for "The Tomb of Charles Baudelaire" (refused etching)
20th century
AFTER MURILLO
Marie-Alexandre Alophe and Bartolomé Esteban Murillo
Two Men
1832
"CHARLES-MICHEL DE L'ÉPÉE" MEDAL
Alfred Borrel
"Charles-Michel de l'Épée" Medal
1899–1959
MIGNARD
Marie-Alexandre Alophe and Aubert et Cie.
Mignard
1838
"CHARLES DUPIN" MEDAL
Jean-François-Antoine Bovy
"Charles Dupin" Medal
1899–1959