Cecil Beaton
Colette, April 26, 1929
1928
Scroll
Cecil Beaton
Colette, April 26, 1929
1928
Physical Qualities
Gelatin silver print, Sheet: 160 × 190 mm. (6 5/16 × 7 1/2 in.)
Credit Line
Roger M. Dalsheimer Photograph Acquisitions Endowment
Object Number
2019.108
In this portrait, Colette’s cropped hair, dark lips, and gleaming eyes suggest her taste for provocation. Her career began when writing under duress to provide her husband with material he published as his own. After their divorce, she performed in music halls across France, having affairs with women performers, most prominently Mathilde “Missy” de
Morny, the Comtesse de Belbeuf.
Colette’s novels and essays, remarkable for their ability to convey sensory experiences, often defied convention, exploring sexuality and identity through a semiautobiographical
lens. As a journalist, she reported on everything from domestic violence to the front lines of the First World War, from anorexia to literature, from fashion to faking orgasms. One of France’s greatest writers, Colette was nominated for the Nobel Prize in 1948.
The Baltimore Museum of Art by purchase, 2019; Julie Saul Projects
Women Behaving Badly: 400 Years of Power and Protest
