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Colette, April 26, 1929

Cecil Beaton

Colette, April 26, 1929

1928

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Cecil Beaton

Colette, April 26, 1929

1928

Physical Qualities Gelatin silver print, Sheet: 160 × 190 mm. (6 5/16 × 7 1/2 in.)
Credit Line Roger M. Dalsheimer Photograph Acquisitions Endowment
Object Number 2019.108
In this portrait, Colette’s cropped hair, dark lips, and gleaming eyes suggest her taste for provocation. Her career began when writing under duress to provide her husband with material he published as his own. After their divorce, she performed in music halls across France, having affairs with women performers, most prominently Mathilde “Missy” de Morny, the Comtesse de Belbeuf. Colette’s novels and essays, remarkable for their ability to convey sensory experiences, often defied convention, exploring sexuality and identity through a semiautobiographical lens. As a journalist, she reported on everything from domestic violence to the front lines of the First World War, from anorexia to literature, from fashion to faking orgasms. One of France’s greatest writers, Colette was nominated for the Nobel Prize in 1948.
The Baltimore Museum of Art by purchase, 2019; Julie Saul Projects
Women Behaving Badly: 400 Years of Power and Protest

Artist

Cecil Beaton

1903–1979

English, 1904-1980
Meet Cecil →

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