Lwena
Comb
Lwena, 1900-1932
Scroll
Lwena
Comb
Lwena, 1900-1932
Physical Qualities
Wood, 9 3/4 x 2 5/8 x 1 in. (24.8 x 6.6 x 2.6 cm.)
Credit Line
Gift of The Honorable Albert H. Blum and Mrs. Blum, Baltimore
Object Number
1989.655
Combs and pins for the hair, crafted from wood, iron, bronze, and ivory, served not only as implements for grooming and styling but also as ornaments that added an extra degree of elegance to one’s hairdress. Such combs exhibit decorations ranging from the figurative to abstract, as well as Christian and Islamic motifs. Beautifully crafted combs were considered more prestigious than those made of simple cane and wire. In many African societies, combs were heirlooms passed on through generations with the intent to retain spiritual connections with honored ancestors. The bronze Dogon hairpins suggest an enduring link to revered ancestors. The intricate figure pairs may refer to the nommo, the mythological pairs of twins to whom Dogon peoples attribute their origins.
"Chokwe! Art and Initiation among Chokwe and Related Peoples," June 13-Sept. 5, 1999. BMA, Thalheimer Gallery
Wurtzburger gallery, 1982 - at least 1989 or later [per F. Lamp letter 12/18/89]
?? Social Rite and Personal Delight: African Art from Baltimore Collections, 1975 [Dec. 18, 1989 letter from F. Lamp states only that the comb was published in the catalogue without specifying its exhibition as well]
Nichole Bridges, The Baltimore Museum of Art, "Hand Held: Personal Arts from Africa," Sept. 25, 2011-Feb. 5, 2012.
Wurtzburger gallery, 1982 - at least 1989 or later [per F. Lamp letter 12/18/89]
?? Social Rite and Personal Delight: African Art from Baltimore Collections, 1975 [Dec. 18, 1989 letter from F. Lamp states only that the comb was published in the catalogue without specifying its exhibition as well]
Nichole Bridges, The Baltimore Museum of Art, "Hand Held: Personal Arts from Africa," Sept. 25, 2011-Feb. 5, 2012.
"Social Rite and Personal Delight: African Art from Baltimore Collections", Baltimore: BMA, 1975: fig. 84
The Baltimore Museum of Art. BMA Today. Fall 2011. p. 9.
