Naum Gabo
Construction
1950
Scroll
Naum Gabo
Construction
1950
Physical Qualities
Aluminum, plexiglas, gold and steel wire, bronze mesh, plastic, and paint, Height (approx.): 180 in. (457.2 cm)
Credit Line
Bequest of Saidie A. May
Object Number
1951.148.1
In 1950, The Baltimore Museum of Art opened a new wing dedicated to children's education, funded by BMA patron Saidie A. May. The following year, a commissioned work by sculptor Naum Gabo was installed in the stairwell of the new space. Gabo had a long pedigree within the avant-garde having supervised art projects in post-Revolutionary Russia, and having studied art and science in Munich. As a member of the Constructivist circle of artists, he chose materials for his abstract compositions that could be found in the modern material world. Construction is a diaphanous organically shaped structure suspended in the air from wires, and composed of transparent and reflective materials. Not only was this form meant to reflect natural light, but for Gabo the "ascending and descending spectator...would give an imaginary movement to the sculpture."
Due to recent renovations to the Saidie A. May Wing, Gabo's sculpture has been relocated to this stairwell, providing the public with greater access to this masterpiece of modern sculpture.
The Baltimore Museum of Art by commission, 1950-1950; from the artist (commissioned by Saidie A. May for the The Baltimore Museum of Art)
Cone Wing Rotations 2021
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Cone Wing Rotations 2023
Cone Wing Rotations 2024
Cone Wing Rotations 2025
'An Engineer's Dreams Tap at Art's Door,' The Sunday Sun, Living in Maryland, A-3, June 11, 1950. (copy in file) BMA News, Nov. 1951, p. 4.
Naum Gabo, 'Memorial to Saidie A. May,' BMA News, Dec. 1951, pp. 3-4, ill. p. 3. (copy in file)
'Constructivism is Optimistic, Gabo Tells Museum Audience,' The Sun, April [missing date]. (copy in file)
John DiCorpo, 'Gabo Creation to Delight Children,' [source & date unknown]. (copy in file)
'Ideas on Sculpture,' BMA News, Apr. 1954, p. 24, ill. (copy in file)
'Sculpture,' Architectural Review (UK), March 1955, pp. 203-204, fig. 3-5. (copy in file)
Sunday Sun, Oct. 21, 1956, Brown Section, p. 9, ill.
Herbert Read, The Art of Sculpture, Bollingen Series, XXXV-3, NY: Pantheon Books, 1956, p. 101, ill. pl. 220-223 (4 different views).
Herbert Read and Leslie Martin, Gabo, Cambridge: Harvard University Press, 1957, pp. 81-85.
David Sylvester, ed., "Modern Art from Fauvism to Abstract Expressionism," The Book of Art, Vol. 8, NY: Franklin Watts, 1965, ill. p. 233.
George Rickey, Constructivism...Origins & Evolution, NY: G. Braziller, 1967, p. 34, pl. 36.
H. H. Arnason, "History of Modern Art/Painting, Sculpture, Architecture," NY: Harry N. Abrams, 1968, ill. p. 317 (identified as 'Construction Suspended in Space')
Sale L09103, "Sotheby's," London, 6/28/1999, ill. p. 122 (for lot 45, ill). (copy in file)
Susan Helen Adler, "Saidie May Pioneer of Early 20th Century Collecting" Baltimore: Stonehouse Design, 2008, p. 267.
Annely Juda Fine Art, London, 'Naum Gabo Drawings,' Jan. 22-Apr. 4, 1987, unpaginated, no. 38, ill. Tenth paragraph of introductory essay refers to the Baltimore sculpture, and relates it to no. 38 in the exhibition.
