Everett Lloyd Bryant
Europa and the Bull
1910-1920
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Everett Lloyd Bryant
Europa and the Bull
1910-1920
Physical Qualities
Oil on canvas, Unframed: 20 x 24 1/8 x 1 1/16 in. (50.8 x 61.3 x 2.7 cm) Framed: 21 1/16 x 25 3/16 x 1 1/2 in. (53.5 x 64 x 3.8 cm)
Credit Line
The Cone Collection, Bequest of Frederic W. Cone
Object Number
1950.317
The Baltimore Museum of Art by bequest, 1949; Etta Cone, Baltimore, by bequest, 1944; Frederic W. Cone
The Peabody Institute, "Group Exhibition of Painting," Baltimore: The Peabody Institute, 1916, no. 31. (Published as "Europa")
Art Association of Newport, "Sixth Annual Exhibition of Pictures by American Painters," Newport: The Art Association of Newport, 1917, no. 29. (Published as "Europa")
Katherine Scarborough, "Baltimore Collection Widely Known: Dr. Claribel Cone's Art Pieces are of International Note," "The Baltimore Sun," April 15, 1928, p. SM20.
A.D. Emmart, "Difference Observed in His Work," "The Baltimore Sun," n.d.
The Charcoal Club, Peabody Institute, Baltimore, "Exhibition of Contemporary American Art," April 24, 1911 - May 13, 1911, nos. 45, 58.
The Charcoal Club, Peabody Institute, Baltimore, "Exhibition of Contemporary American Art," February 27, 1912 - March 17, 1912, nos. 2, 72.
The Charcoal Club, Peabody Institute, Baltimore, "Fourth Annual Exhibition of Contemporary American Art," February 11, 1913 - March 9, 1913, nos. 29, 67.
The Charcoal Club, Peabody Institute, Baltimore, "Fifth Annual Exhibition of Contemporary American Art," February 9, 1914 - March 8, 1914, nos. 20, 102.
Florence N. Levy, ed., "American Art Annual vol. XI," Washington, D.C.: American Federation of Arts, 1914, p.128.
The Charcoal Club, Peabody Institute, Baltimore, "Sixth Annual Exhibition of Contemporary American Art," February 9, 1915 - March 8, 1915, nos. 21, 22.
Panama-Pacific International Exposition, "Catalogue de Luxe of the Department of Fine Arts, Panama-Pacific International Exposition, vol. I" San Francisco: Paul Elder and Company, 1915, nos. 2490, 2492, 2494, 2504.
The Charcoal Club, Peabody Institute, Baltimore, "Seventh Annual Exhibition of Contemporary American Art," February 9, 1916 - March 11, 1916, nos.13, 57.
The Charcoal Club, Peabody Institute, Baltimore, "Eighth Annual Exhibition of Contemporary American Art," February 1, 1917 - March 1, 1917, nos. 21, 37.
The Charcoal Club, Peabody Institute, Baltimore, "Ninth Annual Exhibition of American Art," January 29, 1918 - February 28, 1918, nos. 10, 24, 76.
The Charcoal Club, Peabody Institute, Baltimore, "Tenth Annual Exhibition of American Art," April 15, 1919 - May 15, 1919, no. 15.
"Baltimore," "The Art News," June 9, 1923, vol. 21, no. 35, p. 10.
The Baltimore Museum of Art, "43rd Annual Exhibition of the Baltimore Water Color Club," November 1, 1940 - November 28, 1940, nos. 33, 34.
"Everett Bryant Memorial," "News of the Baltimore Museum of Art," June 1946, p. 8.
Mantle Fielding, "Dictionary of American Painters, Sculptors & Engravers," Poughkeepsie, NY: Apollo, 1983, p. 120.
Edan Milton Hughes, "Artists in California 1786-1940," San Francisco: Hughes Publishing Company, 1989, pp. 77-78.
Susan Danly, "Light, Air, and Color: American Impressionist Paintings from the Collection of the Pennsylvania Academy of the Fine Arts," Philadelphia: Pennsylvania Academy of the Fine Arts, 1990, p. 30.
Lois Marie Fink, "American Art at the Nineteenth-Century Paris Salons," Washington, DC: National Museum of American Art, Smithsonian Institution, 1990, p. 326.
Peter Hastings Falk, ed., "Who was Who in American Art 1564-1975," Madison, CT: Sound View Press, 1999, p. 487.
Patricia Pate Havlice, "Index to Artistic Biography, Vol. I," Lanham, MD: The Scarecrow Press, Inc., 2002, p. 263.
Anita Jacobsen, ed., "Jacobsen's Biographical Index of American Artists vol. I Book IV," Carrollton, TX: A. J. Publications, 2002, p. 456.
Emmanuel Benezit, "Dictionary of Artists, Vol. 2," Paris: Éditions Gründ, 2006, p. 1409.
The Charcoal Club, Peabody Institute, Baltimore, "Exhibition of Contemporary American Art," April 24, 1911 - May 13, 1911, nos. 45, 58.
The Charcoal Club, Peabody Institute, Baltimore, "Exhibition of Contemporary American Art," February 27, 1912 - March 17, 1912, nos. 2, 72.
The Charcoal Club, Peabody Institute, Baltimore, "Fourth Annual Exhibition of Contemporary American Art," February 11, 1913 - March 9, 1913, nos. 29, 67.
The Charcoal Club, Peabody Institute, Baltimore, "Fifth Annual Exhibition of Contemporary American Art," February 9, 1914 - March 8, 1914, nos. 20, 102.
Florence N. Levy, ed., "American Art Annual vol. XI," Washington, D.C.: American Federation of Arts, 1914, p.128.
The Charcoal Club, Peabody Institute, Baltimore, "Sixth Annual Exhibition of Contemporary American Art," February 9, 1915 - March 8, 1915, nos. 21, 22.
Panama-Pacific International Exposition, "Catalogue de Luxe of the Department of Fine Arts, Panama-Pacific International Exposition, vol. I" San Francisco: Paul Elder and Company, 1915, nos. 2490, 2492, 2494, 2504.
The Charcoal Club, Peabody Institute, Baltimore, "Seventh Annual Exhibition of Contemporary American Art," February 9, 1916 - March 11, 1916, nos.13, 57.
The Charcoal Club, Peabody Institute, Baltimore, "Eighth Annual Exhibition of Contemporary American Art," February 1, 1917 - March 1, 1917, nos. 21, 37.
The Charcoal Club, Peabody Institute, Baltimore, "Ninth Annual Exhibition of American Art," January 29, 1918 - February 28, 1918, nos. 10, 24, 76.
The Charcoal Club, Peabody Institute, Baltimore, "Tenth Annual Exhibition of American Art," April 15, 1919 - May 15, 1919, no. 15.
"Baltimore," "The Art News," June 9, 1923, vol. 21, no. 35, p. 10.
The Baltimore Museum of Art, "43rd Annual Exhibition of the Baltimore Water Color Club," November 1, 1940 - November 28, 1940, nos. 33, 34.
"Everett Bryant Memorial," "News of the Baltimore Museum of Art," June 1946, p. 8.
Mantle Fielding, "Dictionary of American Painters, Sculptors & Engravers," Poughkeepsie, NY: Apollo, 1983, p. 120.
Edan Milton Hughes, "Artists in California 1786-1940," San Francisco: Hughes Publishing Company, 1989, pp. 77-78.
Susan Danly, "Light, Air, and Color: American Impressionist Paintings from the Collection of the Pennsylvania Academy of the Fine Arts," Philadelphia: Pennsylvania Academy of the Fine Arts, 1990, p. 30.
Lois Marie Fink, "American Art at the Nineteenth-Century Paris Salons," Washington, DC: National Museum of American Art, Smithsonian Institution, 1990, p. 326.
Peter Hastings Falk, ed., "Who was Who in American Art 1564-1975," Madison, CT: Sound View Press, 1999, p. 487.
Patricia Pate Havlice, "Index to Artistic Biography, Vol. I," Lanham, MD: The Scarecrow Press, Inc., 2002, p. 263.
Anita Jacobsen, ed., "Jacobsen's Biographical Index of American Artists vol. I Book IV," Carrollton, TX: A. J. Publications, 2002, p. 456.
Emmanuel Benezit, "Dictionary of Artists, Vol. 2," Paris: Éditions Gründ, 2006, p. 1409.
Inscribed: Recto: There are no visible inscriptions on the recto. Verso: The painting has been wax lined and there are no visible inscriptions on the verso.
