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Female Figure (Bwanga bwa Bwimpe) - Image 1
Female Figure (Bwanga bwa Bwimpe) - Image 2
Female Figure (Bwanga bwa Bwimpe) - Image 3
Female Figure (Bwanga bwa Bwimpe) - Image 4
Female Figure (Bwanga bwa Bwimpe) - Image 5
Female Figure (Bwanga bwa Bwimpe) - Image 6
Female Figure (Bwanga bwa Bwimpe) - Image 7
Female Figure (Bwanga bwa Bwimpe) - Image 8
Female Figure (Bwanga bwa Bwimpe) - Image 9
Female Figure (Bwanga bwa Bwimpe) - Image 10
Female Figure (Bwanga bwa Bwimpe) - Image 11
Female Figure (Bwanga bwa Bwimpe) - Image 12
Female Figure (Bwanga bwa Bwimpe) - Image 13
Female Figure (Bwanga bwa Bwimpe) - Image 14
Female Figure (Bwanga bwa Bwimpe) - Image 15
Female Figure (Bwanga bwa Bwimpe) - Image 16
Female Figure (Bwanga bwa Bwimpe) - Image 17

Luluwa

Female Figure (Bwanga bwa Bwimpe)

Lulua, 1919-1938

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Luluwa

Female Figure (Bwanga bwa Bwimpe)

Lulua, 1919-1938

Physical Qualities Wood, 12 5/8 x 2 15/16 x 2 3/4 in. (32 x 7.5 x 7 cm.)
Credit Line Gift of Alan Wurtzburger
Object Number 1954.145.83
In Luluwa society, sculptures like this female figure were created to protect women and children. Her muscular limbs, erect posture, and determined face appear profoundly contemporary, recalling the strength and poise of women we know today. Whitten admired Luluwa figures not only for their formal, geometric qualities, but also for the range of functions they perform. It was this sense of agency—this capacity to effect change in the world—that Whitten would increasingly seek to draw out of his own materials and sculptures.
Meditations on African Art: Pattern

Wurtzburger Traveling

Siegel, Katy. "Odyssey: Jack Whitten Sculpture, 1963-2017." New York: Gregory R. Miller & Co., 2018, p. 66, ill.
Shiff, Richard. "Jack Whitten: Cosmic Soul." New York: Hauser & Wirth, 2022. ill, p. 132.

Culture

Luluwa

2000–2000

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