Koffi Djereba and Nafana
Female Mask (Bedu)
Nafana, 1967
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Physical Qualities
Silk cotton tree wood, pigment, 180 H x 75.5 W x 14 D cm.
Credit Line
Purchase with exchange funds from Gift from the Collection of Albert D. and Esther Lazarus Goldman; Gift of Howard B. Marshall; Gift of Mr. and Mrs. John J. McCavitt; Gift of A. Harvey and Phyllis K. Schreter; and Gift of Daniel Solomon, M.D.
Object Number
2003.66.2
The monumental size and bold colors of these two Bedu masks were designed
to attract and disperse negative energy and ensure community prosperity.
Masquerades did not stop after African nations claimed their independence.
Rather, they evolved—just as they had in colonial and pre-colonial times.
In east-central Ivory Coast, around the ancient trading town on Bondoukou,
a new masquerade called Bedu emerged during the early-to-middle part of 20th
century. Bedu encouraged health and prosperity and was explicitly intended
to bring all people—Muslims, Christians, and the practitioners of polytheistic
religions—together in the spirit of community. Today, Bedu masquerades
continue that tradition of peace, appearing prior to national elections and at
new year celebrations.
The Baltimore Museum of Art by purchase, 2003; Exported by Drid Williams from Ivory Coast in 1970; performed in a ceremony in Tambi in 1969; commissioned from artist by Drid Williams in 1968
African Gallery Rotations 2021
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BMA. African Spirit Series brochure 2004-2005. ill.
