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Koffi Djereba and Nafana

Female Mask (Bedu)

Nafana, 1967

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Female Mask (Bedu)

Nafana, 1967

Physical Qualities Silk cotton tree wood, pigment, 180 H x 75.5 W x 14 D cm.
Credit Line Purchase with exchange funds from Gift from the Collection of Albert D. and Esther Lazarus Goldman; Gift of Howard B. Marshall; Gift of Mr. and Mrs. John J. McCavitt; Gift of A. Harvey and Phyllis K. Schreter; and Gift of Daniel Solomon, M.D.
Object Number 2003.66.2
The monumental size and bold colors of these two Bedu masks were designed to attract and disperse negative energy and ensure community prosperity. Masquerades did not stop after African nations claimed their independence. Rather, they evolved—just as they had in colonial and pre-colonial times. In east-central Ivory Coast, around the ancient trading town on Bondoukou, a new masquerade called Bedu emerged during the early-to-middle part of 20th century. Bedu encouraged health and prosperity and was explicitly intended to bring all people—Muslims, Christians, and the practitioners of polytheistic religions—together in the spirit of community. Today, Bedu masquerades continue that tradition of peace, appearing prior to national elections and at new year celebrations.
The Baltimore Museum of Art by purchase, 2003; Exported by Drid Williams from Ivory Coast in 1970; performed in a ceremony in Tambi in 1969; commissioned from artist by Drid Williams in 1968
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African Gallery Rotations 2022

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African Wing Rotations 2025
BMA. African Spirit Series brochure 2004-2005. ill.

Artist/Maker

Koffi Djereba

2000–1993

Nafana, died c. 1994
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Culture

Nafana

2000–2000

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Koffi Djereba and Nafana
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