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Female Twin Figure (Ibeji) - Image 1
Female Twin Figure (Ibeji) - Image 2
Female Twin Figure (Ibeji) - Image 3

Bogunjoko Fakeye and Yorùbá

Female Twin Figure (Ibeji)

Yoruba, 1900

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Female Twin Figure (Ibeji)

Yoruba, 1900

Physical Qualities Wood, Rickett's laundry bluing, encrustation, 11 1/4 in. (28.5 cm.)
Credit Line Gift of Nance Asher, Denton, Maryland
Object Number 1988.65.2
The voluminous, crested hairstyle of these two Ibeji (twin figures) symbolizes status and beauty in the Yorùbá region of southwestern Nigeria. In the past, men and women believed that the head (orí) was lord of the body and the seat of personality. Olódùmarè, the supreme god in Yorùbá religion, was thought to breathe life into each person through their head. As a result, much attention was paid to dressing the head and making it appear larger. Whitten was fascinated by this crest form, which is found throughout west African figurative sculpture. Its presence inspired the blade forms that appear throughout his work.
"Odyssey: Jack Whitten Sculpture, 1963-2017," Apr 22, 2018-July 29, 2018, BMA, Kevin Tervala (Head Curator Katy Siegel).
Frederick John Lamp, "See the Music Hear the Dance: Rethinking African Art at the Baltimore Museum of Art." New York: Prestel, 2003, p.262,ill.

Explore the Collection Further

Bogunjoko Fakeye and Yorùbá
Male Twin Figure (Ibeji)
1900–1932
Yorùbá
Female Twin Figure (Ibeji)
1900–1932
Bogunjoko Fakeye and Yorùbá
Female Twin Figure (Ibeji)
1900–1932
Bogunjoko Fakeye and Yorùbá
Female Twin Figure (Ibeji)
1900–1932
Bogunjoko Fakeye and Yorùbá
Male Twin Figure (Ibeji)
1900–1932
Yorùbá
Female Twin Figure (Ibeji)
1900–1932
Bogunjoko Fakeye and Yorùbá
Male Twin Figure (Ibeji)
1900–1932
Yorùbá
Female Twin Figure (Ibeji)
1933–1999
Yorùbá
Female Twin Figure (Ibeji)
1867–1899