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Fertility Doll (Ekoku) - Image 1
Fertility Doll (Ekoku) - Image 2
Fertility Doll (Ekoku) - Image 3
Fertility Doll (Ekoku) - Image 4
Fertility Doll (Ekoku) - Image 5
Fertility Doll (Ekoku) - Image 6
Fertility Doll (Ekoku) - Image 7
Fertility Doll (Ekoku) - Image 8
Fertility Doll (Ekoku) - Image 9
Fertility Doll (Ekoku) - Image 10
Fertility Doll (Ekoku) - Image 11
Fertility Doll (Ekoku) - Image 12
Fertility Doll (Ekoku) - Image 13

Turkana

Fertility Doll (Ekoku)

Turkana, 1900-1966

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Turkana

Fertility Doll (Ekoku)

Turkana, 1900-1966

Physical Qualities Seed pods, hide, glass and plastic beads, sinew, iron alloy, 5 1/2 x 4 5/16 x 2 9/16 in. (14 x 11 x 6.5 cm.)
Credit Line Gift of Nancy and Robert H. Nooter, Washington, D.C.
Object Number 1994.274
Absent from the artistic work of east African pastoralists is almost any representation of humans or animals. Most artwork from the region is abstract and geometric, characterized either by detailed two-dimensional design in vibrant color or by stark monochromatic forms. The exceptions to this rule are objects made by or associated with children. Indeed, this array of non-naturalistic Turkana dolls represents the extent of the region’s figural representation. Fertility dolls, such as those displayed on your right, would have been carried by young women as a way to stimulate fertility and prompt conception while the contemporary clay dolls on your left represent a long-standing tradition of children’s artistic creativity. Taken together, these figures speak to the abstract impulse that characterizes art from this region. While scholars are still seeking to tease out the connections between abstraction and mobility, it is worth noting that children, who in their young lives have moved far fewer times than their elders, were more likely to create artworks that approach naturalistic figuration.
Design for Mobile Living: Art from Eastern Africa

Culture

Turkana

2000–2000

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