Joshua Johnson
Gentleman of the Shure Family
1804-1814
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Joshua Johnson
Gentleman of the Shure Family
1804-1814
Physical Qualities
Oil on canvas, 28 1/8 x 22 13/16 in. (71.4 x 57.9 cm)
Framed: 35 1/8 x 29 13/16 in. (89.2 x 75.7 cm)
Credit Line
Gift of Edgar William and Bernice Chrysler Garbisch, New York
Object Number
1972.78.1
Joshua Johnson (born c. 1763; died c. 1830)
Though Joshua Johnson was born into slavery, he eventually
became Baltimore’s most recognized free, Black painter of
the 19th century. It is unknown if his enslaved, Black mother
survived childbirth, but soon after his birth, Johnson was
purchased by his free, white father, who made sure his son
learned to read and write despite his own illiteracy. In 1782,
his father manumitted (freed) his son, and Johnson began
a blacksmith apprenticeship in Baltimore, married, and started
a family.
Around 1795, Johnson began painting portraits. As a
biracial American, he was not allowed formal painting
instruction. In a 1798 advertisement for portraits, Johnson
described himself “as a self-taught genius.”
Throughout his career, Johnson painted around 80 portraits
of merchant families in Baltimore—almost all white people and
both abolitionists and enslavers—illustrating the complexity of
race relations in pre-Emancipation Maryland.
Publication References
Sona K. Johnston, "American Painting 1750-1900 from the Collection of The Baltimore Museum of Art," 1983, pp. 94-95, ill. p. 95.
William J. Shure, Darlington, Maryland; sold at auction to John Schwarz, Baltimore, ca. 1935
Victor Spark, New York; Edgar William and Bernice Chrysler Garbisch, New York, 1947 (47.79)
Victor Spark, New York; Edgar William and Bernice Chrysler Garbisch, New York, 1947 (47.79)
Joshua Johnson: Portraitist of Early American Baltimore
American Wing Rotations 2024
American Wing Rotations 2025
J. Hall Pleasants, Joshua Johnston, The First American Negro Portrait Painter, Baltimore: The Maryland Historical Society, 1942, pp.22-23, no. XIII, ill.
Inscribed: None