Skip to main content
Ground Zero: Nighttime All Over the World

Thornton Dial

Ground Zero: Nighttime All Over the World

2001

Scroll

Thornton Dial

Ground Zero: Nighttime All Over the World

2001

Physical Qualities Clothing, epoxy, enamel paint, spray paint, and staples on canvas, 77 × 103 × 4 in. (195.6 × 261.6 × 10.2 cm.)
Credit Line Gift of the Souls Grown Deep Foundation; and purchase with exchange funds from the Pearlstone Family Fund and partial gift of The Andy Warhol Foundation for the Visual Arts, Inc.
Object Number 2021.19
Ground Zero: Nighttime All Over the World evokes an environmental response to the devastation of September 11, 2001. A month after the 9/11 attack, Thornton Dial visited New York City and stayed in a hotel a few blocks from Ground Zero. Moving through the still-burning landscape, the artist witnessed the catastrophe’s aftermath. Dial assembled discarded clothing, industrial materials, and paint to remember his impressions of the site at night. He emphasized the cavity left in the earth, glowing with molten embers. Blue-and-white polka-dotted fabric evokes ash floating into a starry sky. These everyday remnants, salvaged and layered together, become symbols of both destruction and earth’s regenerative potential. “Art is future life,” the artist explained. “A piece of art is like the movement of the clouds, or the sun in the sky...constant, moving, always changing.”
Now Is The Time: Recent Aquisitions to the Contemporary Collection

How Do We Know the World?

Crosscurrents: Works from the Contemporary Collection

Contemporary Wing Rotations 2025

Artist

Thornton Dial

1927–2015

born Emelle, AL 1928; died McCalla, AL 2016
Meet Thornton →

Explore the Collection Further

Thornton Dial
Bridge for John Lewis
1996
Erwin Wurm
The artist who swallowed the world when it was still a disc
2005
Thornton Dial
Crosses to Bear (Armageddon)
2000–2003
Auguste Herman Marie de Noter
Landscape with Ruins, Small Pond in Foreground
1825–1837
Christian Haldenwang, Heinrich Theodor Wehle, and others
Landscape with Huge Tree Trunks in Foreground and Waterfall in Center
1814–1824
George Loring Brown
Italian Landscape; Lake to Left, with Fallen Trees in Foreground and Mountains in Distance
1833–1888
Jules Ferdinand Jacquemart
Artistic Decoration-Saucer with Rich Enamelled Ground and Medallion Representing the Goddess Kouanin
1864–1874
Adolphe Hervier
The Small Wooden Bridge, with a Cottage in the Background
1851
Etienne Delaune and Jean Delaune
All the Effects of the World Cannot Destroy Virtue
1579
Etienne Delaune and Jean Delaune
Allegory Signifying That There is Nothing More Constant in the World than Inconsistency
1579
Fragment of Metallic Ground Fabric
1667–1732
Fragment of Brocaded and Stamped Metallic Ground Fabric
1600–1699