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Headdress (Igi Gèlèdé Oníjàkadi) - Image 1
Headdress (Igi Gèlèdé Oníjàkadi) - Image 2
Headdress (Igi Gèlèdé Oníjàkadi) - Image 3
Headdress (Igi Gèlèdé Oníjàkadi) - Image 4
Headdress (Igi Gèlèdé Oníjàkadi) - Image 5

Fagbite Asamu, Yorùbá, and others

Headdress (Igi Gèlèdé Oníjàkadi)

Yoruba, 1933-1966

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Headdress (Igi Gèlèdé Oníjàkadi)

Yoruba, 1933-1966

Physical Qualities Wood, paint, 20 9/16 x 16 3/8 x 11 1/8 in. (52.2 x 41.6 x 28.3 cm.)
Credit Line Gift of Alan and Janet Wurtzburger
Object Number 1954.32
Imagine this mask performing next to another just like it, the dancers' ankle bells chiming in unison, as a crowd of onlookers enjoys the four wrestlers whirling above, locked in a seeming embrace. The Gelede masquerade, in which masks like this one performed, is a celebration of Iya Nla, the Great Mother, but it honors all women and their capacity to give life. Strong young men dance in freshly painted pairs of masks like this one and encourage women to use their powers for the good of the community. Wrestlers are a particularly common motif, as the Gelede masquerade dramatizes the struggle to do good.
African Reinstallation, "Public Art," April 2015, Wurtzburger Galleries, BMA, Kathryn Gunsch.
Frederick John Lamp, "See the Music Hear the Dance: Rethinking African Art at the Baltimore Museum of Art." New York: Prestel, 2003, p. 115, ill.
Babatunde Lawal, "Ejiwapo: The Dialectics of Twoness in Yoruba Art and Culture," African Arts. Los Angeles: UCLA, 2008, 41.1, p. 37, ill.

Artist

Fagbite Asamu

1849–1969

Beninese, 1850 - 1970
Meet Fagbite Asamu

Culture

Yorùbá

2000–2000

Meet Yorùbá

Artist

Falola Edun

1899–1899

1900-c. 1940s
Meet Falola Edun
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