Fagbite Asamu, Yorùbá, Falola Edun
Headdress (Igi Gèlèdé Oníjàkadi)
Yoruba, 1933-1966
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Fagbite Asamu, Yorùbá, Falola Edun
Headdress (Igi Gèlèdé Oníjàkadi)
Yoruba, 1933-1966
Physical Qualities
Wood, paint, 20 9/16 x 16 3/8 x 11 1/8 in. (52.2 x 41.6 x 28.3 cm.)
Credit Line
Gift of Alan and Janet Wurtzburger
Object Number
1954.32
Imagine this mask performing next to another just like it, the dancers' ankle bells chiming in unison, as a crowd of onlookers enjoys the four wrestlers whirling above, locked in a seeming embrace. The Gelede masquerade, in which masks like this one performed, is a celebration of Iya Nla, the Great Mother, but it honors all women and their capacity to give life. Strong young men dance in freshly painted pairs of masks like this one and encourage women to use their powers for the good of the community. Wrestlers are a particularly common motif, as the Gelede masquerade dramatizes the struggle to do good.
Publication References
Frederick John Lamp, "See the Music Hear the Dance: Rethinking African Art at the Baltimore Museum of Art." New York: Prestel, 2003, p. 115, ill.
Babatunde Lawal, "Ejiwapo: The Dialectics of Twoness in Yoruba Art and Culture," African Arts. Los Angeles: UCLA, 2008, 41.1, p. 37, ill.
Wurtzburger Traveling
African Reinstallation
African Gallery Rotations 2021
African Gallery Rotations 2022
African Gallery Rotations 2023
African Wing Rotations 2024
African Wing Rotations 2025
Thompson, Robert F., "Black gods and kings: Yoruba art at UCLA," Bloomington: Indiana University Press, 1976, c1971, ch. 3&14.