Here, a human figure hunts in one scene while vegetables and a half-turtle form fill the fragmented canvas. Although George Liwukang Bukurlatjpi began his career by painting on strips of bark, in the late 1960s, he started to experiment with different supports like Masonite, a material made of compressed wood fibers, to make his work more appealing to American and European patrons. Many Aboriginal artists similarly pivoted their creative approach in the 20th century, when the Australian government began to promote Aboriginal art on the international market in the hopes of encouraging greater tourism.