As figures tumble in space, their bodies twist from unexpected angles and perspectives. This tondo, or circular, print flanking the doorway are known as The Four Disgracers. The One of The Four Disgracers, a circular print representing a collaboration between Hendrick Goltzius and Cornelius van Haarlem, flanks the doorway. Goltzius transformed van Haarlem’s designs into these richly engraved–and daringly conceived–scenes of humans being expelled from the realms of gods for their hubris. With swelling and powerful lines, Goltzius demonstrated his command of the burin (engraver’s tool) and van Haarlem’s extraordinary representation of man’s fall from grace.