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Inspiration (2e planche)

Ignace Henri Jean Théodore Fantin-Latour

Inspiration (2e planche)

1894

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Inspiration (2e planche)

Ignace Henri Jean Théodore Fantin-Latour

Inspiration (2e planche)

Ignace Henri Jean Théodore Fantin-Latour

Inspiration (2e planche)

1894

Physical Qualities Lithograph, Sheet: 373 × 280 mm. (14 11/16 × 11 in.) Image: 268 × 220 mm. (10 9/16 × 8 11/16 in.)
Credit Line The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number 1996.48.16066
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art, through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris

Inscribed: In the lower right corner of the image "Fantin" Below the image to the right, in graphite, "h. Fantin" Below the image to the left, in graphite, "sur zinc"

Markings: CM: Maryland Institute Lucas Collection (Lugt 1695c)

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Explore the Collection Further

BY SAME ARTIST
PRINTS, DRAWINGS & PHOTOGRAPHS
BY THE TABLE
Paul Edme Le Rat, Ignace Henri Jean Théodore Fantin-Latour, and others
Le Coin de table
1872
INSPIRATION (SELF-PORTRAIT OF FRAGONARD)
Albert Ardail, Jean-Honoré Fragonard, and others
Inspiration
1897
THE EMBROIDERERS
Ignace Henri Jean Théodore Fantin-Latour
Les Brodeuses
1897
INSPIRATION
Ignace Henri Jean Théodore Fantin-Latour
Inspiration (ler planche)
1891
EDWIN EDWARDS
Ignace Henri Jean Théodore Fantin-Latour
Portriat d'Edwin Edwards
1891
INSPIRATION
Ignace Henri Jean Théodore Fantin-Latour
Inspiration (2 planche)
1894
VENUS AND CUPID
Ignace Henri Jean Théodore Fantin-Latour
Vénus et l'Amour (petite planche)
1891
THE ABSENT-MINDED. THIS ARTIST, AFTER HAVING BEEN TO THE SALON, IS SEIZED BY A SUBLIME INSPIRATION AND APPROACHES HIS CANVAS. ALL OF A SUDDEN, TONES OF MUSIC, THE MOST PIQUANT EFFECT THE MOST DELICATE TOUCH PROMISING A MASTERPIECE. 2, 3, 4 HOURS GONE BY AND SOMETHING AS APPEALING AS A TITIAN, MICHELANGELO IS LEFT TO POSTERITY..... AFTERWARDS, ONCE HIS EXCITEMENT HAS SUBSIDED, HE REALIZES..... HE HAD FORGOTTEN TO USE THE BRUSH.
Honoré Daumier
Le Distrait. Cet artiste revient du salon, et saisi d’une inspiration sublime il s’approche de sa toile; tout à coup les tons les plus suaves; les effets les plus piquans, la touche la plus délicate promettent un chef-d’œuvre; eux, trois, quatre heures se passent, la postérité l’appelle, il est grand comme le Titien, comme Michel-Ange … puis son imagination se calme, le voilà maître de lui même oh douleur! ….. il n’a fait que remuer les doigts, il n’avait pas pris son pinceau.
1840
GLORY
Ignace Henri Jean Théodore Fantin-Latour
Réveil
1880–1890
BATHER
Ignace Henri Jean Théodore Fantin-Latour
Baigneuse debout
1898
THE WISE MAN BALTHAZAR WITH FATIMA
Ignace Henri Jean Théodore Fantin-Latour
Le Mage Balthazar et Fatime
1890
READING
Ignace Henri Jean Théodore Fantin-Latour
La Lecture
1896