Japanese Woman’s Undergarment (han-juban)
2009
Scroll
Japanese Woman’s Undergarment (han-juban)
2009
Physical Qualities
Cotton, silk or polyester, 25 1/8 × 53 in. (63.8 × 134.6 cm.)
Credit Line
Gift of Charles W. Newhall III, Baltimore
Object Number
2014.81.1a
Western Woman’s Short Sleeve Black Kimono
2010
Japan, Tokyo
Silk, dye, pigment, metal foil, metal-leafed paper strips wrapped
around silk or cotton thread core, silk embroidery thread, silk
lining
The enduring appeal of Heian motifs is evident on this
kimono, which was commissioned for an American
woman within this decade. Suspended curtains of the
type used for dance performances during the Heian
Era (794–1185) decorate the garment. Within the Heian
court, dancing ability was so admired that a nobleman
who delivered a splendid performance could rise in
rank, as did Prince Genji in The Tale of Genji.
Although the extensive decoration on this short sleeve
black kimono and the absence of family crests signal
that it was made for a foreigner, the beauty of the
elaborate yuzen dyeing, applied gold leaf (surihaku),
and the presence of the Heian dance curtain, testify
to the continuity of skill and subject matter in current
Japanese kimono production.
The long stitches (basting) around the lower skirt
of the kimono (used to keep the lining flat until
wearing) create a pine needle motif on each corner.
Pine needles resemble the Japanese character for
“human” and a pair represents a happy couple.
Gift of Charles W. Newhall III, Baltimore, BMA 2014.81.1a
The Baltimore Museum of Art by gift, 2014; Charles Newhall, Baltimore by purchase, Tokyo, Japan
Anita Jones and Ann Marie Moeller, The Baltimore Museum of Art, Baltimore, MD, "Kimono and Obi: Romantic Echoes from Japan's Golden Age," July 10, 2016 - January 15, 2017.