Pierre-Auguste Renoir
Landscape
c. 1904
Physical Qualities
Oil on canvas, 6 3/4 x 7 15/16 in. (17.1 x 20.2 cm.)
Credit Line
The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland
Object Number
1950.288
The Baltimore Museum of Art by bequest, 1949; Etta Cone, Baltimore, by 1934; Stein family, Paris, by January 1907
Adelyn D. Breeskin, The Baltimore Museum of Art, "Cone Collection of Modern Paintings and Sculpture", April 1, 1930-December 1, 1930, no. 50.
Gertrude Rosenthal, The Baltimore Museum of Art, "Selections from the Cone Collection", October 7, 1949-December 31, 1949, no. 88.
Gertrude Rosenthal, The Baltimore Museum of Art, "From Ingres to Gauguin: French Nineteenth Century Paintings Owned in Maryland", November 13-December 30, 1951, no. 138. (Exhibited as "Landscape near Cagnes")
Margaret Potter, The Museum of Modern Art, New York, "Four Americans in Paris: The Collections of Gertrude Stein and Her Family", December 19, 1970-March, 1, 1971; circulated to the Baltimore Museum of Art, April 4, 1971-June 13, 1971; The San Francisco Museum of Art, September 9, 1971-October 31, 1971.
Fort Lauderdale Museum of Art, "Auguste Renoir: Graphic Retrospective", December 10, 1986-January 27, 1987.
Sona Johnston, The Baltimore Museum of Art, "Sisters' Passion for the Arts: A Glimpse of the Cone Collection", circulated to Government House, Annapolis, September 5, 1996- January 6, 1997, no. 14.
Gertrude Rosenthal, The Baltimore Museum of Art, "Selections from the Cone Collection", October 7, 1949-December 31, 1949, no. 88.
Gertrude Rosenthal, The Baltimore Museum of Art, "From Ingres to Gauguin: French Nineteenth Century Paintings Owned in Maryland", November 13-December 30, 1951, no. 138. (Exhibited as "Landscape near Cagnes")
Margaret Potter, The Museum of Modern Art, New York, "Four Americans in Paris: The Collections of Gertrude Stein and Her Family", December 19, 1970-March, 1, 1971; circulated to the Baltimore Museum of Art, April 4, 1971-June 13, 1971; The San Francisco Museum of Art, September 9, 1971-October 31, 1971.
Fort Lauderdale Museum of Art, "Auguste Renoir: Graphic Retrospective", December 10, 1986-January 27, 1987.
Sona Johnston, The Baltimore Museum of Art, "Sisters' Passion for the Arts: A Glimpse of the Cone Collection", circulated to Government House, Annapolis, September 5, 1996- January 6, 1997, no. 14.
The Baltimore Museum of Art, "Cone Collection of Modern Paintings and Sculpture," Baltimore: The Baltimore Museum of Art, 1930, p. 6, no. 50.
Etta Cone, "The Cone Collection of Baltimore-Maryland," Baltimore: Etta Cone, 1934, p. 26, pl. 17. (Published as "Paysage")
George Boas, Adelyn D. Breeskin, and J.G. D'Arcy Paul, "Selections from the Cone Collection," "News of The Baltimore Museum of Art," October 1949, vol. 13, no. 1, p. 21.
Doris Brian, "The Baltimore Museum's Cone Collection: A Pointed Star," "The Art Digest," January 15, 1950, vol. 24, no. 8, p. 21.
Edmund Fuller, ed., "Journey into the Self: Being the Letters, Papers & Journals of Leo Stein," New York: Crown Publishers, 1950, n.p., ill.
The Baltimore Museum of Art, "From Ingres to Gauguin: French Nineteenth Century Paintings Owned in Maryland," Baltimore: The Baltimore Museum of Art, 1951, p. 40, no. 138. (Published as "Landscape near Cagnes")
George Boas, Adelyn Breeskin, and Gertrude Rosenthal, "Cone Collection: A Handbook with a Catalogue of Paintings and Sculpture," Baltimore: The Baltimore Museum of Art, 1955, p. 39, no. 107.
The Museum of Modern Art, "Four Americans in Paris: The Collections of Gertrude Stein and Her Family," New York: The Museum of Modern Art, 1970, p. 173.
Douglas Cooper, Irene Gordon, Lucile M. Golson, Ellen B. Hirschland, Leon Katz and William Voss Elder, III, "Four Americans in Paris: The Collections of Gertrude Stein and Her Family," Baltimore: The Baltimore Museum of Art, 1971, p. 26.
"Auguste Renoir: Graphic Retrospective," Ft. Lauderdale: Fort Lauderdale Museum of Art, 1986.
Sona Johnston, "Sisters' Passion for the Arts: A Glimpse of the Cone Collection," Baltimore: Maryland Department of Business and Economic Development, 1996, no. 14.
Janet Bishop, Cécile Debray, and Rebecca Rabinow, eds., "The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde," San Francisco: The San Francisco Museum of Modern Art, 2011, pp. 362-363, 383, 384-385, 386-387, 450, 488, no. 404, pl. 346, 368, 370, 373, ill.
Inscribed: Recto: Lower right, in paint, "Renoir" Verso: The painting has been lined and there are no visible inscriptions on the verso. Bottom right stretcher, in black grease pencil, "834"; top center stretcher, printed on a rectangular label, in red, "12902"
