Salomon van Ruysdael
Landscape on the River Meuse
1642
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Salomon van Ruysdael
Landscape on the River Meuse
1642
Physical Qualities
Oil on canvas, 36 1/2 x 44 1/8 in. (92.7 x 112.1 cm.)
Credit Line
The Mary Frick Jacobs Collection
Object Number
1938.195
From a low perspective that extends along the water’s edge, Salomon van Ruysdael captured the slow rhythms of daily life just beyond a town’s limits. Church towers and sailboats dot the light, cloud-filled horizon, while three fishermen and a dog make their way across the Meuse River in a small boat in the left foreground. Another group of men casts their fishing nets closer to the shoreline at right. The water, almost completely still, mirrors the trees’ reflection.
Van Ruysdael’s scene presents an idealized view of this distinctly Dutch landscape. Anticipating the region’s peace and prosperity in the years leading up to its independence
in 1648, the painting also demonstrates the closely intertwined relationships among land, water, and human activity in the Dutch Republic.
The Baltimore Museum of Art by bequest, 1938; Mary Frick Jacobs, Baltimore, MD by purchase, July 5, 1912; Eugene Fischof, Paris; Count de St. Léon, Paris.
Watershed: Transforming the Landscape in Early Modern Dutch Art
Jacobs Reinstallation 2026
Henry Barton Jacobs, The Collection of Mary Frick Jacobs (Baltimore: Dr. Henry Barton Jacobs, 1938), pl. 62.
“Object of the Week,” The Baltimore Sun (Baltimore, MD) June 4, 1961.
Peter C. Sutton, A Guide to Dutch Art in America (Washington D.C.: Netherlands-American Amity Trust, 1986), p. 6.(published as "River Landscape").
Stechow, Wolfgang. Salomon van Ruysdael, eine Einführung in seine Kunst. Berlin, 1938.
Stechow, Walter. “Salomon van Ruysdael’s Paintings in America.” Art Quarterly 2 (1939), pp. 251–264.
Sutton, Peter C. Masters of 17th-Century Dutch Landscape. Boston: Museum of Fine Arts, 1987.
Falkenburg, R. "Landschapsschilderkunst en doperse spiritualiteit in de 17de eeuw - een connectie?” Doopsgezinde bijdragen. Nieuwe reeks 16 (1990), pp. 129-153.
Bisboer, Pieter et al. Painting in Haarlem 1500–1850: The Collection of The Frans Hals Museum. Ghent: Ludion, 2006.
Stechow, Walter. “Salomon van Ruysdael’s Paintings in America.” Art Quarterly 2 (1939), pp. 251–264.
Sutton, Peter C. Masters of 17th-Century Dutch Landscape. Boston: Museum of Fine Arts, 1987.
Falkenburg, R. "Landschapsschilderkunst en doperse spiritualiteit in de 17de eeuw - een connectie?” Doopsgezinde bijdragen. Nieuwe reeks 16 (1990), pp. 129-153.
Bisboer, Pieter et al. Painting in Haarlem 1500–1850: The Collection of The Frans Hals Museum. Ghent: Ludion, 2006.
Inscribed: RECTSO: LL, "S 'Ruysdael. 1643"
