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Landscape (recto); Five Head Studies and a Daffodil (verso) - Image 1
Landscape (recto); Five Head Studies and a Daffodil (verso) - Image 2
Landscape (recto); Five Head Studies and a Daffodil (verso) - Image 3

Daniel Nikolaus Chodowiecki and Rembrandt van Rijn

Landscape (recto); Five Head Studies and a Daffodil (verso)

1758

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Landscape (recto); Five Head Studies and a Daffodil (verso)

1758

Physical Qualities Etching and lavis (recto); red chalk (verso), Sheet: 225 x 349 mm. (8 7/8 x 13 3/4 in.) Plate: 209 x 330 mm. (8 1/4 x 13 in.)
Credit Line Blanche Adler Memorial Fund; and purchased as the gift of the Print, Drawing & Photograph Society
Object Number 2009.6
Countless eighteenth-century artists were influenced by Dutch art of the seventeenth century, particularly the work of Rembrandt van Rijn. Not only were many of Rembrandt’s own etchings and drypoints reprinted from extant plates, but his paintings and drawings were reproduced by various printmakers. The development of the aquatint process in the late 1750s and early 1760s enabled artists like Daniel Nikolaus Chodowiecki to replicate the tonal effects of one of Rembrandt’s drawings. Chodowiecki took special care in rendering the clouds in the sky and the play of light and shadow over the buildings at the top of the hill.
The Baltimore Museum of Art by purchase, 2009; C.G. Boerner, New York

Artist

Daniel Nikolaus Chodowiecki

1725–1800

German, born Poland, 1726-1801
Meet Daniel →

Artist

Rembrandt van Rijn

1605–1668

Dutch, 1606-1669
Meet Rembrandt →

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Daniel Nikolaus Chodowiecki and Johann Christian Dieterich
Plate 9 from Marie-Joseph Chénier's "Bartholomäusnacht" for the "Göttinger Taschenkalender fur das Jahr 1791"
1789
Karel Dujardin
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1641–1677