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Le Verger de Valmondois

Charles-François Daubigny

Le Verger de Valmondois

1839

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Charles-François Daubigny

Le Verger de Valmondois

1839

Physical Qualities Etching and softground etching (cravate), with graphite, Sheet: 97 x 154 mm. (3 13/16 x 6 1/16 in.) Image: 91 x 148 mm. (3 9/16 x 5 13/16 in.)
Credit Line The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number 1996.48.4529
Touched proof with graphite additions of trees in upper left. Daubigny developed the process dubbed "la cravate" - as described by Melot "this is a way of obtaining an effect like aquatint through the use of a soft varnish on which is laid a piece of silk. When peeled off, the cloth leaves the imprint of its weave on the soft ground, and if the operation is done delicately the weave will show up in the acid-biting and give a tint to the inking."
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art,
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
Mr. Maketo Itoh, The Kobe Shimbun, Kobe, Japan, "Millet, Corot, and The School of Barabizon," Mar. 14 - Aug. 10, 1980; circulated to Seibu Museum, Tokyo, Mar. 14 - Apr. 13, 1980; Hyogo Prefectural Museum of Modern Art, Kobe, Apr. 19 - May 18, 1980; Hokkaido Prefectural Museum of Modern Art, Sapporo, May 24 - June 15, 1980; Hiroshima Prefectural Museum, Hiroshima, June 21 - July 13,1980; Kitakyushu Municipal Museum, Kitakyushu; July 19 - Aug. 10, 1980.

The Museum of Modern Art, Hyogo, Japan, "Millet, Corot and the School of Barbizon," April 19 - May 18, 1980. Cat. P 25 Illustrated

Inscribed: Signed in plate: lower left "C Daubigny inv." Inscribed in pencil: verso, in Lucas' hand "Colln. Sag"

Markings: None

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