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Eugène-Stanislas-Alexandre Bléry

Les Branches de Chêne

1837

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Eugène-Stanislas-Alexandre Bléry

Les Branches de Chêne

1837

Physical Qualities Etching, Sheet: 105 × 187 mm. (4 1/8 × 7 3/8 in.)
Credit Line The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number 1996.48.237
Whether depicting indigenous or non-native plant species and trees, these works are united in their close observations of the natural world. Take a moment to explore how each artist depicted nature’s vitality. Eugène-Stanislas-Alexandre Bléry’s etching, The Branches of an Oak Tree, reflects imagery associated with the French national landscape. Jules Ferdinand Jacquemart’s Tropical Plants documents an interest in the plants of different climates, indicating the ecological traces of France’s colonial projects in Southeast Asia and the Pacific Islands. Karl Bodmer’s detailed Digitalis and Morning Glory captures how plant species, like people, traveled across continents over centuries. By the time he made this drawing, European foxglove and this Central American species of morning glory were thriving on both sides of the Atlantic Ocean.
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art, through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
Deconstructing Nature: Environmental Transformation in the Lucas Collection
Bibliothèque nationale (France). Inventaire du fonds français après 1800 (Paris: M. Le Garrec, 1930-ongoing) vol. 2, p. 506, #2.

Beraldi, Henri. Les graveurs du xix siècle (Paris: L. Conquet, 1885) vol. 2, p. 100, #1.

Inscribed: Signed and dated in ink (?): lower left "Eug. Blery"; lower right "1838"

Markings: None

Artist

Eugène-Stanislas-Alexandre Bléry

1804–1886

French, 1805-1887
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Eugène-Stanislas-Alexandre Bléry
La Patience d'eau et la Ronce à la vanne
1842
Eugène-Stanislas-Alexandre Bléry
Les Chênes (The Oaks)
1839
Eugène-Stanislas-Alexandre Bléry
The Vine and the Well
1844
Honoré Daumier
Le Mari (lisant): "nous étions mollement étendus sur la mousse odorante, les rayons de la lune perçaient les branches du Saule agité par la Brise du soir. Enivrés d'amour nous lançions au Ciel des Sermens qui retombaient dans nos coeurs." La femme (à part): Peut-on lire ces choses avec un bonnet de coton, et une boule comme la sienne!…..
1838
Eugène-Stanislas-Alexandre Bléry
Le Chè ne à la mare (The oak by the pond)
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Dindga McCannon
Slaves, Shackles & Prods
1969
Eugène-Stanislas-Alexandre Bléry
Les Buissons d' epine (The Scrub pines)
1824–1887
John Ward Gilman
Tablespoons
1779–1789
Eugène-Stanislas-Alexandre Bléry
Le Chemin dans les borileaux (The road through the birches)
1844
Alfred Borrel
"Charles-Michel de l'Épée" Medal
1899–1959
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Le Genevrier (The Juniper Tree)
1839
Bertrand Andrieu
"Conquete de Naples" Medal
1899–1959