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Mutuaga and Massim

Lime Spatula

Massim, 1800-1899

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Mutuaga and Massim

Lime Spatula

Lime Spatula

Massim, 1800-1899

Physical Qualities Wood, pigments, W. 1 1/16 x L. 10 1/8 in. (2.7 x 25.7 cm.)
Credit Line Gift of Alan Wurtzburger
Object Number 1955.251.113
2003: "Among the Massim, spatulas were not only used to serve lime, they could also be endowed with ritual power. A spatula and ritually treated palm nuts could be given to a man to induce him to join in the important and competitive trade system called kula. As preperation for a kula trip, a ritual specialist could summon a spirit to inhabit a spatula with human figures. The spirit in the spatula protected the owner while he slept." either Frederick Lamp or Kathy Fernstrom hand written notes in object file identify both as author
The Baltimore Museum of Art by gift, 1955; Alan Wurtzburger
Douglas F. Fraser & Paul S. Wingret, "The Wurtzburger Collection of Oceanic Art" , BMA 1956 pg 32. ills 113.
Beran, Harry. Mutuaga, a nineteenth-century New Guinea master carver. Wollongong: University of Wollongong Press, 1996.

Artist

Mutuaga

1859–1919

c. 1860 - c. 1920
Meet Mutuaga →

Culture

Massim

2000–2000

Meet Massim →
Not on View

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BY SAME ARTIST
AFRICA, THE AMERICAS, ASIA, AND THE PACIFIC ISLANDS
Iatmul
Lime Spatula
1867–1899
Lime Spatula
1800–1899
Lime Spatula
1900–1932
HENRY VAN DER BORCHT
Pieter de Bailliu, Jan Gerritsz. van Bronchorst, and others
From the series "Image de divers hommes desprit sublime qui par leur art et science devront vivre eternellement et des quels la lovange et renommée faict estonner le monde" (Antwerp: Jan Meyssens,1649)
1643–1653
W. JONES, LIME-BURNER, THAMES STREET
James McNeill Whistler
The Lime Burner
1858
HIS COUSIN NICELY KISSES...OUR MAID!
Nicolas-Toussaint Charlet and François le Villain
Son cousin l'embrasse joliment...notre bonne!
1825
W. JONES, LIME-BURNER, THAMES STREET
James McNeill Whistler
The Lime Burner
1858
LIMEHOUSE
James McNeill Whistler
Limehouse
1858
THE LIME-BURNER
James McNeill Whistler and George A. Lucas
The Lime-Burner
1858
Benedict Masson
Souvenirs de la Commune: "Voila la sublime..."
1870
THE ABSENT-MINDED. THIS ARTIST, AFTER HAVING BEEN TO THE SALON, IS SEIZED BY A SUBLIME INSPIRATION AND APPROACHES HIS CANVAS. ALL OF A SUDDEN, TONES OF MUSIC, THE MOST PIQUANT EFFECT THE MOST DELICATE TOUCH PROMISING A MASTERPIECE. 2, 3, 4 HOURS GONE BY AND SOMETHING AS APPEALING AS A TITIAN, MICHELANGELO IS LEFT TO POSTERITY..... AFTERWARDS, ONCE HIS EXCITEMENT HAS SUBSIDED, HE REALIZES..... HE HAD FORGOTTEN TO USE THE BRUSH.
Honoré Daumier
Le Distrait. Cet artiste revient du salon, et saisi d’une inspiration sublime il s’approche de sa toile; tout à coup les tons les plus suaves; les effets les plus piquans, la touche la plus délicate promettent un chef-d’œuvre; eux, trois, quatre heures se passent, la postérité l’appelle, il est grand comme le Titien, comme Michel-Ange … puis son imagination se calme, le voilà maître de lui même oh douleur! ….. il n’a fait que remuer les doigts, il n’avait pas pris son pinceau.
1840
Lime Box with Five-Tiered Lid
1800–1899