Physical Qualities
Etching and drypoint, Sheet: 312 x 252 mm. (12 5/16 x 9 15/16 in.)
Plate: 228 x 187 mm. (9 x 7 3/8 in.)
Credit Line
The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number
1996.48.5136
After the painting Infanta Margarita, ca. 1653, now attributed to the workshop of Diego Velázquez, (Louvre; López-Rey 398). Printed in brown-black ink. Harris dates this print 1862, while Fisher gives a date of 1862-1864.
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art,
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
BMA, "The Prints of Edouard Manet: A Centenary Celebration," 27 September - 20 November, 1983.
Jay McKean Fisher, International Exhibitions Foundation, Washington, D.C., "The Prints of Edouard Manet," 1985-1986; circulated to The Detroit Institute of Art; University Art Museum, Berkeley; The St. Louis Art Museum; Huntsville Museum of Art; Art Gallery of Ontario, Toronto.
Jay McKean Fisher, International Exhibitions Foundation, Washington, D.C., "The Prints of Edouard Manet," 1985-1986; circulated to The Detroit Institute of Art; University Art Museum, Berkeley; The St. Louis Art Museum; Huntsville Museum of Art; Art Gallery of Ontario, Toronto.
Tinterow, Gary and Geneviève Lacambre. Manet/Velázquez: The French Taste for Spanish Painting (New York: The Metropolitan Museum of Art, 2003), p. 55, illustrated fig. 1.53 and p. 512, #182, illustrated.
Inscribed: Inscribed in pencil: verso, in Lucas' hand "Epreuve Moderne (Dumont)"
Markings: Collector's stamp: verso "M.I. / LUCAS / COLLECTION" (Lugt 1695c) Watermark: Blacons
