Manet's third lithograph was the cover for a serenade dedicated to Lola de Valence with words and music by Zacharie Astruc. The songsheet was published in March 1863, but the design was likely put to stone earlier in the year, when Manet finished his painting of the dancer. The print is the mirror image of the painting, with Lola de Valence cropped at the hip as a vignette. While the image is likely based on the same watercolor Manet used to transfer the composition to the copper plate for the etching, the lithographic portrait was itself drawn directly on the stone as it has been enlarged and adjusted to fit the oval format; Lola's fan, for instance, has been lifted so that it is visible in the frame, and the decorative band of her dress is positioned to deliberately serve as the lower boundary of the image. The popularity of this songsheet - in equal parts attributed to the popularity of Lola de Valence, of Manet's multiple depictions of her, and of Astruc's music itself - has led to the survival of very few copies.