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Luncheon Table

Pierre Bonnard

Luncheon Table

1907

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Pierre Bonnard

Luncheon Table

1907

Physical Qualities Oil on paperboard, Unframed: 19 5/8 × 25 3/4 in. (49.8 × 65.4 cm.) Framed: 29 1/2 × 35 1/4 × 2 1/2 in. (74.9 × 89.5 × 6.4 cm.)
Credit Line The Cone Collection, Bequest of Frederic W. Cone
Object Number 1950.189
In the late 1880s and 1890s Pierre Bonnard was a member of the Nabis, a group of artists who were inspired by the work of Paul Gauguin and his use of flat areas of pure color with strong outlines. Bonnard was also influenced by the color and patterning of Japanese woodblock prints. Luncheon Table, painted just as the Nabis group was disbanding at the turn of the twentieth century, features Bonnard’s signature decorative style with its layers of vibrant color applied in small, distinct brushstrokes. This intimate view of a woman seated at a table with a dog at her feet is a quintessential example of the quiet harmonies that the artist discovered in his daily surroundings.

Publication References

John Rewald, "Pierre Bonnard," New York: The Museum of Modern Art, 1948, pp. 71, 139, no. 12, ill.
George Boas, Adelyn D. Breeskin, and J.G. D'Arcy Paul, "Selections from the Cone Collection," "News of The Baltimore Museum of Art," October 1949, vol. 13, no. 1, p. 11.
"$3,000,000 Art Collection," "Look Magazine," April 25, 1950, vol. 14, no. 9, p. 111, ill.
Gertrude Rosenthal, "From Ingres to Gauguin: French Nineteenth Century Paintings Owned in Maryland," Baltimore: The Baltimore Museum of Art, 1951, pp. 13, 45, no. 168.
Lincoln F. Johnson, Jr., "Pierre Bonnard and Impressionism," "News of The Baltimore Museum of Art," December 1953, vol. XVII, no. 2, pp. 2, 4, front page, ill. front page, p. 2.
George Boas, Adelyn Breeskin, and Gertrude Rosenthal, "Cone Collection: A Handbook with a Catalogue of Paintings and Sculpture," Baltimore: The Baltimore Museum of Art, 1955, pp. 26, 27, no. 4.
"Paintings by Bonnard," New York: Paul Rosenberg and Company, 1956, pp. 4, 7, no. 3, ill.
The Society of the Four Arts, "Loan Exhibition of Works by Pierre Bonnard, 1867-1947," Palm Beach, FL: The Society of the Four Arts, Palm Beach, FL, 1957, no. 6, ill.
Emilie Keyes, "Pierre Bonnard: Poet/Painter, Second Show at Society of the Four Arts," "Palm Beach Life," January 29, 1957, vol. L, no. 2, p. 76, ill.
Jean and Henry Dauberville, "Bonnard, Catalogue Raisonné de l'Oeuvre Peint, 1906-1919," Paris: Éditions J. et H. Bernheim-Jeune, 1965, pp. 137, 468, no. 522, ill. (published as "Le Déjeuner").
George Boas, Adelyn Breeskin, and Gertrude Rosenthal, "Paintings, Sculpture, and Drawings in the Cone Collection," Baltimore: The Baltimore Museum of Art, 1967, pp. 18, 36, 65, no. 4, ill.
Public Education Association and Peter Selz, "Seven Decades of Modern Art, 1895-1965," New York: Public Education Association, 1966, pp. 31, 189, p. 31, ill.
Gertrude Rosenthal, "From El Greco to Pollock: Early and Late Works by European and American Artists," Baltimore: The Baltimore Museum of Art, 1968, pp. 118-119, p. no. 95, ill.
Bret Waller and Grace Seiberling, "Artists of la Revue Blanche: Bonnard, Toulouse-Lautrec, Vallotton, Vuillard," Rochester, NY: Memorial Art Gallery of the University of Rochester, 1984, pp. 50, 58, no. 6, ill.
Richard H. Love, "Theodore Earl Butler: Emergence from Monet's Shadow," Chicago: Haase-Mumm Publishing Company, Inc., 1985, pp. 181, 428, 444, pl. 33, ill.
Donald Miller, "A Coup for Naples," "Naples Daily News," February 4, 2005, p. 7D.
The Baltimore Museum of Art by bequest, 1949; Etta Cone, Baltimore, by bequest, 1944; Frederic Cone, Baltimore
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John Rewald, "Pierre Bonnard", 1948. New York, Cat. No. 12, p. 139, ill. p. 71.

BMA News: October 1949, No. 1, p. 11.

Lincoln F. Johnson, Jr., "Pierre Bonnard and Impressionism", Baltimore, BMA News, December 1953, pp. 4-5, ill. inside cover.

"Handbook of the Cone Collection", 1955, Baltimore: BMA, p. 27, no. 4.

"Pierre Bonnard...Second Show at Society of the Four Arts", 1957, Florida: Palm Beach Life, January 29, ill. p. 76.

"Handbook of the Cone Collection (Revised Edition)": 1967, Baltimore: BMA, No. 4, ill. p. 36.

Richard H. Love, "Theodore Earl Butler/Emergence from Monet's Shadow", 1985, Chicago: Haase-Mumm Publishing Co., Inc, p.428, pl.33.

Inscribed: Recto: Lower right in paint, "Bonnard"

Artist

Pierre Bonnard

French, 1867-1947
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