Skip to main content

Kuba

Masquerade Costume

Kuba, Early 20th century

Scroll

Kuba

Masquerade Costume

Kuba, Early 20th century

Physical Qualities Bark cloth, pigment, fiber, cowrie shells, See component screen
Credit Line Art Acquisition Fund
Object Number 2007.315
The triangular designs painted on this bark cloth ensemble are the same as those painted onto masks representing Mweel, the mythical woman from whom the Kuba royal dynasty descends. Bark cloth forms the base layer of the garment worn by the dancers who perform as Mweel and her male counterpart, Wóót. Across central Africa, bark cloth is frequently associated with history and the past. The BMA purchased this example from Prince Mikoom Lyeen Yemaam, a member of the Kuba royal family, in 2007.
The Baltimore Museum of Art by purchase, 2007; Mikoom Yemaam
Karen Milbourne, "Meditations on African Art: Pattern," Baltimore Museum of Art, March 12-August 17, 2008

Kevin Tervala, "The Matter of Bark Cloth," Baltimore Museum of Art, May 7-October 1, 2023.

Explore the Collection Further

Kuba, Shoowa, and others
Prestige Cloth with Thick Pile and "Double Knot" Design
c. 1950s-1960s
Kuba, Shoowa, and others
Prestige Cloth with Thick Pile and "Jagged Blocks" Design
c. 1959-1987
Maxime Lalanne, Jacomme & Cie., and others
Ancient Costume of the Women of Luz
1853
Kuba, Shoowa, and others
Prestige Cloth
c. 1959-1960
Thomas Phillibrown and Henri Decaisne
Young Man Kneeling by Young Girl in a Chair, Both in Medieval Costume
n.d.
Jacob Gole and Jacob Gole
Portrait of a Woman in Turkish(?) Costume
c. 1675-1725
Bartholomäus Ignaz Weiss, Georg Friedrich Schmidt, and others
An Old Man in Persian Costume
n.d.
Georg Friedrich Schmidt and Rembrandt van Rijn
An Old Man in Persian Costume
1756