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Men’s Headdress (Etimat) - Image 1
Men’s Headdress (Etimat) - Image 2
Men’s Headdress (Etimat) - Image 3
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Karamojong

Men’s Headdress (Etimat)

Karamojong, 1949-1988

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Karamojong

Men’s Headdress (Etimat)

Karamojong, 1949-1988

Physical Qualities Hair, dry mud, pigment, feathers, fiber, metal, glass beads, 13 x 8 1/2 x 11 in. (33 x 21.6 x 27.9 cm.)
Credit Line Gift of Jonathan and Ellen Maltz, Brookeville, Maryland
Object Number 2013.323
Karamojong men wore elaborate coiffures sculpted with clay into geometric forms until the 1950s, when some men chose to create less cumbersome removable wigs instead. This removable wig allowed elder men to wear a graceful and elaborate coiffure only on special occasions. The sweeping lines carved into the clay echo the row of feathers above, while the stripe of dark blue and orange paint in the center creates a point of contrast. The feathers, secured by tightly woven copper coils embedded into the clay, announce the wearer’s accomplishments. In 1971, the Ugandan dictator Idi Amin outlawed traditional Karamojong hairstyles, making a removable headdress a matter of necessity instead of a mere shift in fashion.
The Baltimore Museum of Art by gift, 2013; Jonathan and Ellen Maltz, Brookeville, Maryland, by purchase, 2007; Ignacio A. Villareal, New York
African Reinstallation

Beyond Flight: Birds in African Art

African Gallery Rotations 2021

African Gallery Rotations 2022

African Gallery Rotations 2023

African Wing Rotations 2024

African Wing Rotations 2025
Gustaaf Verswijver, "Removeable Hair Caps of Karamoja," African Arts, Vol. 43, No. 4 (WINTER 2010), pp. 60-71

Clark, D. African Hats and Jewellery. London, Grand Books, 1998. Pages 90-91.

Arnoldi, Mary Jo and Chris Kreamer. Crowning Acheivements. Los Angeles, Fowler Museum, 1995. Page 59.

Christie's London, Important Tribal Art, 1993, page 26.

Culture

Karamojong

2000–2000

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