Paul Cézanne
Mont Sainte-Victoire Seen from the Bibémus Quarry
1889-1899
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Paul Cézanne
Mont Sainte-Victoire Seen from the Bibémus Quarry
1889-1899
Physical Qualities
Oil on canvas, Unframed: 25 5/8 × 32 × 1 1/8 in. (65.1 × 81.3 × 2.9 cm.)
Framed: 39 3/8 × 45 3/4 × 3 1/8 in. (100 × 116.2 × 7.9 cm.)
Credit Line
The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland
Object Number
1950.196
In the late 1870s, Cézanne began his extensive explorations of Mont Sainte-Victoire near Aix with a series of studies and oils that depict the mountain rising above the immense valley of the Arc River. Almost twenty years later he painted the site using as his vantage point the deserted Bibémus quarry near the city.
In this dramatic work from around 1897, complex rock formations and the canyon below dominate the foreground, while the distinctive silhouette of the mountain looms large in the distance. Of all of the artist’s Mont Sainte-Victoire landscapes, this is among the most compact, the quarry seeming to abut the very base of the imposing peak. The painting appears to have been produced in intense summer light, when the deep orange of the cliffs contrast greatly with the dark green of the trees and the purple-blue sky.
Publication References
Société du Salon D'Automne, "Exposition Rétrospective d'Oeuvres de Cezanne, "Paris: Société du Salon D'Automne, 1907, p. 249, no. 39. (Published as "La Montagne Rocheuse")
"Cezanne," Rome: Maestri Moderni, I, Soc. An. Ed. La Voce, 1920, pl. 10, ill. (Published as "Santa Vittoria Provenza")
Hugo Troendle, "Das Monotype als Untermalung: zur Betrachtung der Arbeitsweise von Degas," "Kunst und Künstler," Jahrgang XXIII, 1924-1925, p. 358, ill. (Published as "Umgegend von Aix")
"Deux Renoir et un Cézanne: 1 Million," "Excelsior," June 26, 1925, n.p., ill. (Published as "La Sainte Victoire")
Léon Werth, "La Collection Gangnat," "L'Amour de l'Art," February 1925, pp. 55-56, p. 55, ill. (Published as "La Sainte Victoire")
"Tableaux Composant la Collection Maurice Gangnat; 160 Tableaux par Renoir, Oeuvres Importantes de Paul Cézanne, Tableaux par E. Vuillard," Hôtel Drouot, Paris, June 24-25, 1925, lot number 162, ill. (Published as "La Ste-Victoire")
Katherine Scarborough, "Baltimore Collection Widely Known: Dr. Claribel Cone's Art Pieces are of International Note," "The Baltimore Sun," April 15, 1928, p. SM20. (Published as "Mont Victoire")
The Baltimore Museum of Art, "Cone Collection of Modern Paintings and Sculpture," Baltimore: The Baltimore Museum of Art, 1930, p. 5, no. 2.
S.D. Emmart, "Art-The Cone Collection and The Independents' Exhibition," "The Baltimore Sun," March 30, 1930, Section 3, p. 12.
Erle Loran Johnson, "Cézanne's Country," "The Arts," April 1930, vol. XVI, no. 8, p. 529, ill.
Waldémar George, "The Twilight of a God," "Apollo," August 1931, vol. XIV, no. 80, pp. iv, 77, 81, fig. IV, ill. (Published as "Le Mont Ste Victoire")
Etta Cone, "The Cone Collection of Baltimore-Maryland," Baltimore: Etta Cone, 1934, p. 23, pl. 24, ill.
Elie Faure, "Cézanne," Paris: Les Éditions Braun & Cie, 1936, pl. 51, ill. (Published as "La Montagne Sainte-Victoire, Vue de la Carrière Bibémus")
Maurice Raynal, "Cézanne," Paris: Éditions de Cluny, 1936, pp. 24, 146, 82, pl. LIII, ill. (Published as "La Sainte-Victoire")
Lionello Venturi, "Cézanne: Son Art-Son Oeuvre," Paris: Paul Rosenberg, 1936, pp. 229-230, 393, no. 766, pl. 253, ill. (Published as "La Montagne Sainte-Victoire, vue de Bibémus")
E. Schenck, "Girl with Her Doll," "Honolulu Academy of Arts Bulletin," March 1937, vol. 5, no. 1, pp. 7-9, fig. 6, ill.
Robert J. Goldwater, "Cézanne in America: The Master's Paintings in American Collections," "Art News Annual," March 26, 1938, vol. xxxvi, no. 26, pp. 150, 154, p. 150, ill. (Published as "La Montagne Sainte-Victoire")
Christian Zervos, "Histoire de l'Art Contemporain," Paris: Éditions Cahiers d'Art, 1938, n.p., ill. (Published as "La Montagne Sainte Vicoitre vue de Bibémus")
Baltimore Museum of Art, "A Century of Baltimore Collecting 1840-1940," Baltimore: The Baltimore Museum of Art, 1941, pp. 79, 81, 115.
Erle Loran, "Cézanne's Composition: Analysis of His Form with Diagrams and Photographs of His Motifs," Berkeley: University of California Press, 1943, pp. 60- 63, pl. X, ill.
John Rewald, "As Cézanne Recreated Nature," "Art News," February 15-29, 1944, vol. XLIII, no.1, p. 11, ill. (Published as "La Montagne Sainte-Victoire")
John Rewald, "The History of Impressionism, " New York; The Museum of Modern Art, 1946, p. 465, n.p., ill (Published as "Sainte-Victoire seen from the Bibémus Quarry near Aix")
Jane Watson Crane, "Baltimore Shows French Art," "The Washington Post," August 17, 1947, p. L5.
"Magazine of Art," May 1948, vol. 41, no. 5, back cover, ill.
E.M. Benson and Gertrude Rosenthal "Themes and Variations in Painting and Sculpture," Baltimore: The Baltimore Museum of Art, 1948, pp. 43, 66, no. 100, ill.
"Baltimore Inherits the Cone Collection of Modern Art," "The Art Digest," October 1, 1949, vol. 24, no. 1, p. 9, ill. (Published as "Mont Ste. Victoirè")
George Boas, Adelyn D. Breeskin and J.G. D'Arcy Paul, "Selections from the Cone Collection," "News of the Baltimore Museum of Art," October 1949, vol. 13, no. 1, p. 11.
Doris Brian, "The Baltimore Museum's Cone Collection: A Pointed Star," "The Art Digest," January 15, 1950, vol. 24, no. 8, cover page, ill.
"Diamond Jubilee Exhibition: Masterpieces of Painting," Philadelphia: The Philadelphia Museum of Art, 1950, cat. no. 86, ill.
"Dr. Claribel and Miss Etta, Collectors," "Art News," vol. XLVIII, no. 9, January 1950, pp. 39, 40, ill. p. 39.
Gertrude Rosenthal, "Cone Memorial Exhibition," "News of The Baltimore Museum of Art," January-February, 1950, vol. XIII, nos. 4 and 5, pp. 13-14, p. 14, ill.
The Baltimore Museum of Art, "From Ingres to Gauguin: French Nineteenth Century Paintings Owned in Maryland," Baltimore: The Baltimore Museum of Art, 1951, pp. 14, 42, no. 151, ill.
"Die Weltkunst: The World-Art Review," February 1, 1951, no. 3, cover page, ill. (Published as "Mont Ste. Victoire")
Clive Bell, "Modern French Painting: The Cone Collection," Baltimore: The Johns Hopkins Press, 1951, pp. 2, 15, p. 2, ill.
Daniel Catton Rich and Theodore Rousseau, Jr., "Cézanne Paintings, Watercolors & Drawings," Chicago: The Art Institute of Chicago, 1952, pp. 89-90, no. 108, ill.
Meyer Schapiro, "Paul Cézanne," New York: Harry N. Abrams, Inc., 1952, pp. 14, 110-111, p. 111, ill. (Published as "Quarry and Mont Sainte-Victoire")
"Art," "Gardens, Houses and People," December 1954, vol. XXIX, no. 12, p. 29, ill. (Published as "Ste. Victoire")
The Baltimore Museum of Art, "Man and His Years," Baltimore: The Baltimore Museum of Art, 1954, pp. 20, 35, no. 99, ill.
Katherine Scarborough, "The Museum Celebrates 25 Years of Expansion," "The Baltimore Sun," August 15, 1954, p. 10, ill. (Published as "Mount St. Victoire")
Maurice Raynal, "Cézanne," Lausanne: Skira, 1954, pp. 104, 108, 116, 131, p. 104, ill. (Published as "La Montagne Sainte-Victoire")
"Part of Cone Art Collection to be Exhibited in New York," "The Baltimore Sun," January 16, 1955, p. 13.
Emily Genauer, "A Paris Vacation," "The Baltimore Sun," March 27, 1955, p. TW9, ill.
Musée de l'Orangerie, "De David à Toulouse-Lautrec: Chefs-d'Oeuvre des Collections Américaines," Paris: Musée de l'Orangerie, 1955, cat no. 4, pl. 68, ill. (Published as "La Montagne Sainte-Victoire, vue de la carrier Bibémus"
George Boas, Adelyn Breeskin, and Gertrude Rosenthal, "Cone Collection: A Handbook with a Catalogue of Paintings and Sculpture," Baltimore: The Baltimore Museum of Art, 1955, pp. 24, 27, no. 11, cover page, ill.
Howard Devree, "About Art and Artists: Works by Matisse, Picasso and Others From Cone Collection Displayed," "The New York Times," January 25, 1955, p. 23.
Charlotte Devree, "Two Victorians in Modern Art," "The New York Times," January 16, 1955, p. SM24, ill.
Gertrude Rosenthal, "A Picture Book: 200 Objects in the Baltimore Museum of Art," Baltimore: The Baltimore Museum of Art, 1955, p. 55, ill.
Kenneth B. Sawyer, "Art Notes: Cone Collection Stirs The 'Street'," "The Baltimore Sun," February 6, 1955, Section A, p. 18. (Published as "La Montagne Sainte Victoire")
Kenneth B. Sawyer, "New Yorkers Honor Special Showing of Cone Collection," "The Baltimore Sun," January 25, 1955, p. 19.
Kurt Badt, "Die Kunst Cézannes," Munich: Prestel-Verlag, 1956, pl. 29, ill. (Published as "La Montagne Ste. Victoire")
"The Cone Wing," "News of The Baltimore Museum of Art," March 1957, p. 4, ill.
Mary Louise Kemp, "Cézanne's Critics," "News of The Baltimore Museum of Art," December 1957, vol. XXI, no. 2, pp. 4-5, ill. p. 5.
Leslie Judd Portner, "Baltimore Museum Opens New Cone Wing," "The Christian Science Monitor," March 23, 1957, p. 10, ill.
Leslie Judd Portner, "Worthy Home for Cone Collection," "The Washington Post and Times Herald," August 25, 1957, p. E7.
"Cézanne," New York: Wildenstein, 1959, no. 49, ill. (Published as "La Montagne Sainte-Victoire, vue de Bibemus")
Eric Newton, "The Arts of Man: An Anthology and Interpretation of Great Works of Art," Greenwich, CT: New York Graphic Society, 1960, pp. 228-231, ill. p. 229. (Published as "La Montagne Sainte-Victoire")
Eloise Spaeth, "American Art Museums and Galleries: An Introduction to Looking," New York: Harper & Bros, 1960, p. 50.
Werner Hofmann, "Art in the Nineteenth Century," London: Faber and Faber, 1961, pp. 333, 423, pl. XII. (Published as "La Montagne Sainte-Victoire")
John Rewald, "The History of Impressionism," New York: The Museum of Modern Art, 1961, pp. 559, 647, p. 559, ill. (Published as "Sainte-Victoire seen from Bibémus Quarry near Aix")
"A Tribute to Adelyn D. Breeskin," "News of The Baltimore Museum of Art," vol. xxv, no. 4, Summer 1962, p. 6, ill.
Fritz Erpel, "Paul Cézanne: 12 farbige Gemäldewiedergaben, 4 Studienblätter," Berlin: Henschel, 1962, pp. 15, 44-45, ill. p. 45. (Published as "Der Sainte-Victoire")
Barbara Pollack, "The Collectors: Dr. Claribel and Miss Etta Cone," Indianapolis: The Bobbs-Merrill Company, Inc., 1962, pp. 182, 199, 214, 234, 259, ill. p. 171. (Published as "Mont Ste. Victoire")
"Franse Landschappen van Cezanne tot Heden," Rotterdam: Museum Boymans-van Beuningen, 1963, pp. 26-27, no. 27, pl. 3, ill. (Published as "De Mont Sainte-Victoire gezien van Bibémus/La Montagne Sainte-Victoire, vue de Bibémus,")
Erich Steingräber, ed., "Meilensteine Europäischer Kunst," Munich: Hirmer Verlag, 1965, p. 406, pl. 8, ill. (Published as "Mont Ste. Victoire und Steinbruch Bibémus")
Raymond Cogniat, "Le Primitif d'un art nouveau," in "Cezanne: Collection Génies and Réalités," Paris: Hachette, 1966, pp. 208, 210-211, fig. 151, ill. (Published as "La Montagne Sainte-Victoire, vue de Bibemus")
Kent Roberts Greenfield, "Annual I: The Museum, Its First Half Century," Baltimore: The Baltimore Museum of Art, 1966, pp. 58, 59, p. 59, ill.
Jean Paris, "Espaces de Cézanne," in "Cézanne: Collection Génies et Réalités," Paris: Hachette, 1966, p. 210, 216, fig. 151, ill. (Published as "La Montagne Sainte-Victoire, Vue de Bibemus")
George Boas, Adelyn Breeskin, and Gertrude Rosenthal, "Paintings, Sculpture, and Drawings in the Cone Collection," Baltimore: The Baltimore Museum of Art, 1967, pp. 17-19, 65, no. 11, ill.
Graham Collier, "Form, Space, and Vision: Discovering Design through Drawing, Second Edition," Englewood Cliffs, NJ: Prentice-Hall, Inc., 1967, pp. 123-125, 259, fig. 9-7, ill.
Edmund Burke Feldman, "Art as Image and Idea," Englewood Cliffs, NJ: Prentice-Hall, Inc., 1967, pp. 260, 503, p. 260, ill.
Erwin O. Christensen, "A Guide to Art Museums in the United States," New York: Dodd, Mead & Company, 1968, p. 114, fig. 252, ill.
Richard W. Murphy, "The World of Cézanne 1839-1906," New York: Time-Life Books, 1968, pp. 80-81, 86-87, 191, ill. .
Gertrude Rosenthal, ed., "From El Greco to Pollock: Early and Late Works by European and American Artists," Greenwich, CT: New York Graphic Society Ltd., 1968, pp. 72-73, ill.
The Museum of Modern Art, "Four Americans in Paris: The Collections of Gertrude Stein and Her Family," New York: The Museum of Modern Art, 1970, p. 80.
"Cézanne: An Exhibition in Honor of the Fiftieth Anniversary of The Phillips Collection," Boston: The Museum of Fine Arts, 1971, pp. 64-65, ill.
Anne d'Harnoncourt, "The Necessary Cézanne," "The Art Gallery Magazine," April 1971, vol. xiv, no. 6, p. 39, ill.
Dale G. Cleaver, "Art-An Introduction, Second Edition" New York; Harcourt Brace Jovanovich, Inc., 1972, pp. 6, 290-291, 361, fig. 17-15, ill.
Jean-Luc Daval, "Journal de l'Art Moderne, 1884-1914" Geneva: Éditions d'Art Albert Skira, 1973, pp. 213, 296, 307, ill. (Published as "La Montagne Sainte-Victoire vue de Bibemus")
Meyer Schapiro, "P. Cézanne," Paris: Nouvelles Éditions Françaises, 1973, p. 61, pl. 42, ill. (Published as "La Montagne Sainte-Victoire vue de Bibémus")
"Reviews and Previews - Cone Collection," "Art News," January 1974, vol. 73, no. 1, p. 95.
The Baltimore Museum of Art, "Cone Collection from The Baltimore Museum of Art: A Benefit Exhibition at Wildenstein," Baltimore: The Baltimore Museum of Art, 1974, no. 4.
Frank Elgar, "Cézanne," New York: Praeger, 1975, pp. 189, 280, fig. 110, ill.
John Rewald, "Cézanne's Final Decade," "Horizon," October 1977, vol. 20, no. 2, p. 42, ill.
William Rubin, ed., "Cézanne: The Late Work," New York: The Museum of Modern Art, 1977, pp. 45, 245, 390, no. 12, pl. 37, ill.
Bruce Wolmer, "Cézanne: The Late Work," "MoMA Quarterly," Fall 1977, no. 4, n.p., ill.
Georges A. Embiricos, 'Cézanne et la Répétition," "Connaissance des Arts," May 1978, no. 315, p. 70, ill. (Published as "La Montagne Sainte-Victoire")
Donald E. Gordon, "The Expressionist Cézanne," "Artforum," March 1978, vol. XVI, no.7, p. 34, ill.
Phyllis L. Sawyers and Frances L. Henry, "Song of the Coyote: Freeing the Imagination Through the Arts," Boston: American Press, 1980, pp. iii, vii, 107-108, fig. 44, ill.
Israel Rosen, "The Cone Sisters: Myths, Realities and Some Conjectures," "Helicon Nine, the Journal of Women's Arts and Letters," Winter 1983, no. 9, p. 84.
Graham Collier, "Form, Space, and Vision: An Introduction to Drawing and Design, Fourth Edition," Englewood Cliffs, NJ: Prentice-Hall, 1985, pp. 170, 287, fig. 5-6, ill.
Brenda Richardson, "Dr. Claribel & Miss Etta: The Cone Collection of the Baltimore Museum of Art," Baltimore: The Baltimore Museum of Art, 1985, pp. 109-111, 159, 175, 200, ill.
Gene A. Mittler, "Art in Focus," Peoria, IL: Bennett & McKnight Publishing Company, 1986, p. 317, fig. 17.4, ill.
John Rewald, "Cézanne: A Biography," New York: Harry N. Abrams, 1986, pp. 246, 286, ill.
"Hörzu," March 20, 1987, Issue 13, p. 24, ill. (Published as "Landscahaft")
"Asahi Graph Special Issue on Art: Volume Cézanne," Tokyo: Orion Press, 1988, no. 67, ill. (Published as "La Montagne Sainte-Victoir vue de Bibémus")
Dale G. Cleaver, "Art: An Introduction," New York: Harcourt Brace Jovanovich, 1988, pp. 293-294, 486, fig. 17-25 and pl. 22, ill.
Richard Kendall, ed., "Cézanne by Himself, Drawings, Paintings, Writings," London: Macdonald & Company, 1988, p. 317, no. 275, ill.
"Zeitmuseum 100 Bilder," "Zeit Magazin," June 16, 1989, no. 25, p. 7, ill. (Published as "Berg von Sainte-Victoire von Bibemus aus gesehen")
Walter Biemel and Friedrich-Wilhelm v. Herrmann, eds., "Kunst und Technik: Gedächtnisschrift zum 100. Geburtstag von Martin Heidegger," Frankfurt am Main: Vittorio Klostermann, 1989, pp. 331, 454, pl. 13, ill. (Published as "Montagne Sainte-Victoire")
Jack A. Hobbs & Robert L. Duncan, "Arts, Ideas and Civilization," Englewood Cliffs, NJ: Prentice-Hall, Inc., 1989, pp. 399-400, 402, 526, fig. 10.9, ill.
Michel Hoog, "Cézanne 'Puissant et Solitaire,'" Paris: Gallimard/Réunion des Musées Nationaux, 1989, pp. 164-167, back cover, ill.
Fritz J. Raddatz, "Zeit-Museum der 100 Bilder: Autoren und Künstler über ihr liebstes Kunstwerk," Franfurt am Main: Insel Verlag, 1989, pp. 181-185, 395, no. 43, ill. (Published as "Der Berg Sainte-Victoire, von Bibemus aus gesehen")
Robert Paul Wolff, "About Philosophy, Fourth Edition," Englewood Cliffs, NJ: Prentice Hall, 1989, p. 209, ill.
"Sainte-Victoire Cézanne 1990," Aix-en-Provence, Paris: Musée Granet, Éditions de la Réunion des Musées Nationaux, Spadem, 1990, pp. 118-119, 355, no 71, ill. (Published as "La Montagne Sainte-Victoire vue de Bibemus")
Hajo Düchting, "Paul Cézanne: Bilder eines Berges," Munchen: Piper, 1990, pp. 13, 54, 60, no.6, ill. (Published as "Die Montagne Sainte-Victoire, von Steinbruch Bibémus aus gesehen")
Alicia Faxon, "The Shock of Recognition," "Art New England," December 1991/January 1992, p. 13.
Gene Edward Veith, Jr., "State of the Arts: From Bezalel to Mapplethorpe," Wheaton, IL: Crossway Books, 1991, pp.79, 81, fig. 4.13, ill.
Brenda Richardson, "Brice Marden Cold Mountain," Houston: Menil Foundation Inc., 1992, pp. 78, 79, ill.
"MFA Today," November/December 1993, p. 3.
Susan Chadwick, "MFA Makes Room for Baltimore Art Treasures," "The Houston Post," Wednesday, June 2, 1993, p. D1.
Susan Chadwick, "An Eye for Art," "The Houston Post," November 21, 1993, p. 16.
Susan Chadwick, "Sisters Collected Stunning Works of Impressionists," "The Houston Post," November 27, 1993, p. F-1.
Jeanne Hokin, "Pinnacles & Pyramids: The Art of Marsden Hartley," Albuquerque: University of New Mexico Press, 1993, p. 61, fig. 28, ill.
Patricia C. Johnson, "MFA to Exhibit Cone Collection," "The Houston Chronicle," June 2, 1993, Section D.
Patricia C. Johnson, "Two Sisters and Their Art," "The Houston Chronicle," November 21, 1993, pp 8-9, ill.
Carol Vogel, "The Art Market," "The New York Times," Friday, June 4, 1993, n.p.
"Van Gogh to Matisse: Impressionist and Modern Masters from the Cone Collection, The Baltimore Museum of Art," "MFA Today," November/December 1993, p. 3.
"Modern-Art Exhibit Typifies Symbiotic Relationship," "Beaumont Enterprise," Friday, December 17, 1993, p.4.
"The Journal of Aesthetic Education," Spring 1995, vol. 29, no. 1, cover page, ill.
Jay M. Fisher, "Drawings from the Collection of Claribel and Etta Cone at the Baltimore Museum of Art," "Drawing: The International Review published by The Drawing Society," Vol. XVII, No.1, May - June 1995, p. 4.
Ulrike Becks-Malorny, "Paul Cézanne 1839-1906, Wegbereiter der Moderne" Cologne: Benedikt Taschen, 1995, p. 73, ill. (Published as "Die Montagne Sainte-Victoire, vom Steinbruch Bibémus aus gesehen")
H. W. Janson and Anthony F. Janson, "History of Art, 5th Edition," New York: Harry N. Abrams, Inc., 1995, pp. 729, 731, 945, fig. 986, ill.
Charles de Lartigue, "Les Paysages de Paul Cézanne," Lyon: Les Créations du Pélican, 1995, pp. 127, 130-131, 173, ill. (Published as "Montagne Sainte-Victoire")
Robert W. Witkin, "Art and Social Structure," Cambridge, UK: Polity Press, 1995, pp. 156-157, 167, 217, pl. 8, ill.
Françoise Cachin and Joseph J. Rishel, "Cézanne," Paris and Philadelphia: Éditions de la Réunion des Musées Nationaux and the Philadelphia Museum of Art, 1996, p. 418, no. 175, ill.
Bennard B. Perlman, "Treasures Worth Waiting in Line to See," "The Baltimore Sun," July 9, 1996, p. 11A.
John Rewald, Walter Feilchenfeldt and Jayne Warman, "The Paintings of Paul Cézanne: A Catalogue Raisonné, vols. 1, 2" New York: Harry N. Abrams, Inc., 1996, pp. 293, 501, no. 837, ill. (Published as "La Montagne Sainte-Victoire vue de Bibémus")
Nobuyuki Senzoku and Akira Tomita, "Matisse and Modern Masters from the Cone Collection of the Baltimore Museum of Art," Tokyo: Brain Trust Inc., 1996, pp. 128-129, 161, no. 67, ill.
Volker Gebhardt, "Kunstgeschichte Malerei," Cologne: DuMont, 1997, p. 158, no. 189, ill. (Published as "La Montaigne Sainte-Victoire")
H. W. Janson and Anthony F. Janson, "History of Art for Young People, Fifth Edition," New York: Harry N. Abrams, Inc., 1997, pp. 479-480, 624, fig. 418, ill.
Toshio Yamanashi, "Sezannu: Zettai no Tankyusha/Paul Cézanne, à la Recherche de l'àbsolu," Tokyo: Nigensha, 1997, p. 107, ill.
Louis Frey, "Les Carrières de Bibémus à George Bunker," "L'Année Cézannienne: Bulletin de la Société Paul Cézanne, no. 1," Aix-en-Provence: Société Paul Cézanne, 1999, pp. 19-24, p. 24, ill. (Published as "La Montagne Sainte-Victoire vue de Bibémus")
John O'Brian, "Ruthless Hedonism: The American Reception of Matisse," Chicago: The University of Chicago Press, 1999, pp. 81, 274.
Amy Ione, "Connecting the Cerebral Cortex with the Artist's Eyes, Mind and Culture," "Journal of Consciousness Studies: Controversies in Science and the Humanities," August/September 2000, vol. 7, nos. 8-9, p. 65, fig. 2, ill.
Sona K. Johnston and William R. Johnston, "The Triumph of French Painting: Masterpieces from Ingres to Matisse," London: Scala Publishers, 2000, pp. 5, 32-33, 126-127, 155, no. 44, ill.
Philip Nord, "Impressionists and Politics: Art and Democracy in the Nineteenth Century," New York: Routledge, 2000, pp. 86, 130, pl. 3.3, ill.
Charles Darwent, "Double Vision," "The Independent," June 17, 2001, pp. 20-21.
Jay Fisher, "Dr. Claribel and Miss Etta Cone: A Collection of Modern Art for Baltimore," in Rosella Mamoli Zorzi, ed., "Before Peggy Guggenheim: American Woman Art Collectors," Venice: Marsilio, 2001, p. 120-121.
Jack Flam, "Matisse in the Cone Collection: The Poetics of Vision," Baltimore: The Baltimore Museum of Art, 2001, p. 9.
Mary Gabriel, The Art of Acquiring: A Portrait of Etta and Claribel Cone. [Baltimore, MD]: Bancroft Press, 2002, unpaged plate section.
Ton Lemaire, "Met open Zinnen: Natuur, Landschap, Aarde," Amsterdam: Ambo, 2002, pl. 7, ill. (Published as "Le Mont Sainte-Victoire vu de la carrière Bibemus")
Wenda O'Reilly, "Van Gogh & Friends: With Cézanne, Seurat, Gauguin, Rousseau, and Toulouse-Lautrec," Palo Alto: Birdcage Books, 2002, p. 23, ill.
Linell Smith, "Unveiling A Brighter Cézanne," "The Baltimore Sun," May 19, 2002, pp. 1F, 5F, ill. pp. 1F, 5F.
"Provence and the French Riviera," "BMA Today," May/June 2003, p. 16, ill.
"Reconsideration of Late Variants of Cézanne's Themes of Mont Sainte-Victoire," "Bulletin of the Detroit Institute of Arts," 2003, vol. 77, no. 1 /2, p. 35, ill.
Fronia W. Simpson, "European Muses, American Masters 1870-1950," Portland, Maine: The Portland Museum of Art, 2004, p. 88, ill.
"BMA Treasures Hit the Road," "BMA Today," Winter 2005-2006, p. 5, ill.
Jean-Roger Soubiran, "La Montagne Saint-Victoire: Un Atelier du Paysage Provençal de Constantin à Cézanne," Avignon: Benezet, 2006, pp.114-115, pl. 87, ill. (Published as "La Montagne Sainte-Victoire vue de la carrier Bibémus)
Philip Conisbee and Denis Coutagne, eds., "Cézanne in Provence," Washington, DC, Paris and Aix-en-Provence: The National Gallery of Art, the Réunion des Musées Nationaux, Musée Granet, and the Communauté du Pays d'Aix, 2006, pp. vi, 17, 195, 207, 282, 349, pl. 88, ill. (Published as "Montagne Sainte-Victoire seen from Bibémus")
Roberta Smith, "Finding a Muse in Mountains and Chestnut Trees," "The New York Times," January 27, 2006, p. B31, ill.
Glenn McNatt, "Cézanne the Outsider had a Radical New Vision," "The Baltimore Sun," January 29, 2006, p. 5F.
Finn Terman Frederiksen, "Cézannes Formel," Randers: Kunstmuseums Forlag, 2008, pp. 137, 219, no. 26, ill. (Published as "Sainte-Victoire-bjerget set fra stenbruddet Bibémus")
Ellen B. Hirschland and Nancy Hirschland Ramage, "The Cone Sisters of Baltimore: Collecting at Full Tilt," Evanston, IL: Northwestern University Press, 2008, pp. 117-118, 274, fig. 5.15, ill.
Helen Molesworth, ed., "Solitaire: Lee Lozano, Sylvia Plimack Mangold, Joan Semmel," Columbus: The Ohio State University, Wexner Center for the Arts, 2008, pp. 79, 159, fig. 10, ill. (Published as "Le Mont Sainte-Victoire vu de la carrier Bibemus")
"Giving is an Art," "BMA Today," Fall-Winter 2009, p. 23, ill.
Robert Kudielka, ed., "The Eye's Mind: Bridget Riley, Collected Writings 1965-2009," London: Thames & Hudson, 2009,pp. 261- 263, 346, ill. (Published as "Montagne Sainte-Victoire")
Joseph J. Rishel and Katherine Sachs, "Cézanne and Beyond," Philadelphia: The Philadelphia Museum of Art, 2009, pp. 272, 533, 576, pl. 86, ill.
Gail Stavitsky and Katherine Rothkopf, eds., "Cézanne and American Modernism," Montclair, NJ: Montclair Art Museum and The Baltimore Museum of Art, 2009, pp. 26, 90, 94, 96, 99, 158, 360, 370, no. 16, ill.
"Cézanne and American Modernism," "BMA Today," Winter-Spring 2010, pp. 3, 4, ill.
"Close Cézanne with Joie de Vivre," "BMA Today," Summer 2010, p. 9, ill.
"Paul Cezanne", Japan: Shogakukan Creativem,2010, DVD.
Susan M. Heidenreich and Kathleen A. Turano, "Where Does One Look When Viewing Artwork in a Museum?," "Empirical Studies of the Arts, Journal of the International Association of Empirical Aesthetics," 2011, vol. 29, no.1, pp. 55, 58, 60-61, 62, 63, 64, figs. 1, 4, ill.
Karen Levitov, "Collecting Matisse and Modern Masters: The Cone Sisters of Baltimore," New York: The Jewish Museum, 2011, pp. 21, 73, fig. 8, ill.
Karen Rosenberg, "What They Loved and What They Bought," "The New York Times," May 6, 2011, p. C30.
Fillion, Susan. Miss Etta and Dr. Claribel: Bringing Matisse to America. Boston: David R. Godine, 2011, page 62.
John Elderfield, "De Kooning a Retropspective," The Museum of Modern Art: New York, NY, 2011, p. 447, color ill.
Judit Geskó. Cézanne and the Past: Tradition and Creativity. Budapest: Museum of Fine Arts, 2012, page 61, no. 29
John Sallis, "Senses of Landscape." Northwestern University Press: Illinios, 2015, fig. 5, ill.
Boehm, Gottfried. Die Sichtbarkeit der Zeit. Studien zum Bild in der Moderne. Basel, Switzerland: Wilhelm Fink Verlag, 2018.
Paul Cézanne / Rainer Maria Rilke - Ausstellung Paris 1907. Munich: Schirmer/Mosel, 2018.
Debray, Cécile, Rémi Labrusse and Maria Stavrinaki, eds. Préhistoire: Une énigme moderne. Paris: Editions du Centre Pompidou, 2019.
Coutagne, Denis. "'Rome n'es plus dans Rome'." In Cezanne et les mâitres: Rêve d'Italie. Vanves (Hauts-de-Seine): Editions Hazan, 2020. p. 111, ill.
Elderfield, John (Ed). Cézanne: The Rock and Quarry Paintings. Princeton: Princeton University Press, 2020. p. 110, ill.
Borchardt-Hume, Achim, Gloria Groom, Caitlin Haskell, and Natalia Sidlina (eds.) Cezanne. Chicago: Art Institute of Chicago, 2022. p. 188, ill.
Brice Marden: It reminds me of something, and I don't know what it is. New York: Gagosian, 2020.
Dombrowski, André, Nancy Ireson, and Sylvie Patry (eds). Cézanne in the Barnes Foundation. Philadelphia: The Barnes Foundation, 2021. ill. p. 145
Garcia-Estevez, Carolina B. Las ciudades de Rilke. Madrid: Publicaciones de la Residencia de Estudiantes, 2022. ill.
Amano, Taro, "What Can Be Seen, Cannot Be Seen, Comes to Be Seen -- The Paintings of Shunsuke Imai," in Shunsuke Imai: Skirt and Scene. Kagawa: Marugame Genichiro-Inokuma Musuem of Contemporary Art, 2022. ill.
Liesbrock, Heinz (editor). Josef Albers: Homage to the Square 1950-1976; Towards a History of Twentieth Century Art. Bottrop: Josef Albers Museum, 2022. p. 164, cat. 75, ill.
Torlen, Michael. "Studio Seeing: A Practical Guide to Drawing, Painting, and Perception." Chicago: Intellect, Ltd., 2023. ill., p. 195.
The Baltimore Museum of Art by bequest, 1949; Etta Cone, Baltimore, by bequest, 1929; Claribel Cone, Baltimore, by purchase, 1925; Galerie Bernheim-Jeune, Paris, 1925; Hôtel Drouot, Gangnat collection sale, Paris, 1925; Maurice Gangnat, Paris; Ambroise Vollard, Paris
paris
Cezanne - Retrospective
European Muses, American Masters: 1870 to 1950
Cézanne en Provence
Matisse, Picasso, and the School of Paris
Cézanne and American Modernism
Endless Forms: Charles Darwin, Natural Science, and the Visual Arts
Homage to Cézanne: His Influence on the Development of Twentieth Century Painting
Cézanne and Beyond
Cone Refresh
Cézanne Retrospective
Cézanne and the Past
Modern Spirits
Cézanne-Paris-Provence
Open-Air Painting
Cézanne: Metamorphoses
Prehistory and Modernity
Cone Collection of Modern Paintings and Sculpture
Cezanne Rocks and Quarries
Form Cezanne to Malevich. Non-Arcadian Abstraction
Paul Cezanne
The Origins. The Rise and Fall of Nature at the Age of Darwin
Cone Wing Rotations 2020
Cone Wing Rotations 2021
Cone Wing Rotations 2022
Moving Beyond Impressionism: Cezanne, Degas, Monet, Pissarro, 1886 - 1903
Cone Wing Rotations 2023
Cone Wing Rotations 2024
A Century of Baltimore Collecting 1840-1940
Cone Wing Rotations 2025
Inscribed: Recto: There are no visible inscriptions on the recto. Verso: The painting has been wax lined and there are no visible inscriptions on the verso.