In Mood Ring, Sasha Gordon presents a portrait of her doppelganger. The Bronx-based artists depicted an extremely cropped moon-shaped face enveloped in wispy black hair, with a spectrum of iridescent colors to almost mystify the appearance of her skin. Gordon frequently uses her likeness to examine the instability of identity, body image, and perception. The luminous and reflective powers of its opal-like surface propose skin as a technology for dreaming and shapeshifting, one that offers safety to field and refract pressures to conform to society.