Simone Brangier Boas
Mother and Child
1926-1936
Scroll
Simone Brangier Boas
Mother and Child
1926-1936
Physical Qualities
Mahogany, 18 × 19 × 9 1/2 in. (45.7 × 48.3 × 24.1 cm.)
Credit Line
Gift of Patricia Hechter Bosley, Phoenix, Maryland, in Memory of her Grandmother, Simone Boas
Object Number
1987.5
In 1933, this carved mahogany sculpture depicting the intimate embrace of a mother and her infant was included in The Museum of Modern Art’s exhibition, Painting and Sculpture from 16 American Cities. As a founding member of the Sculptors Guild in New York, Simone Brangier Boas exhibited work at the Brooklyn Museum and at the 1939 World’s Fair American Art show. Though she enjoyed national attention, Boas was dedicated to Baltimore artists. She delivered lectures on sculpture at the Baltimore Museum of Art and worked nearby at 2616 St. Paul Street, fondly called “the Little Studio,” which offered a rotating residency space for Baltimore artists. There, Boas taught art lessons to women, including fellow Baltimorean sculptor Elsa Hutzler (1906–1953).
The Baltimore Museum of Art by gift, 1987; Patricia Hechter Bosley (b. 1961) by direct descent from her grandmother (the artist), Phoenix, MD, 1981
By Their Creative Force: American Women Modernists
American Wing Rotations 2021
American Wing Rotations 2022
American Wing Rotations 2023
American Wing Rotations 2024
American Wing Rotations 2025
"Preserving the Legacies of Women Artists," BMA Stories, October 2, 2019
Rubinstein, Charlotte Streifer. "American Women Sculptors: A History of Women Working in Three Dimensions," Boston, MA: G.K. Hall., 1990, pp. 242–3
https://paulickreport.com/news/bloodstock/retired-racehorse-training-project-names-26-trainers-for-thoroughbred-makeover (See provenance research)
https://paulickreport.com/news/bloodstock/retired-racehorse-training-project-names-26-trainers-for-thoroughbred-makeover (See provenance research)
