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Louise Nevelson

Movable Forms

1939-1949

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Louise Nevelson

Movable Forms

1939-1949

Physical Qualities Terracotta, paint, 16 1/2 x 22 3/4 x 12 in. (41.9 x 57.8 x 30.5 cm)
Credit Line Gift of Mr. and Mrs. Sidney E. Cohn, New York
Object Number 1964.28.4
This sculpture is made of terracotta, a clay-based ceramic used for both art making and industrial purposes. Its three sections, with a lightly carved face on the topmost piece, evoke a human figure. Louise Nevelson designed this sculpture with movable parts: the top two sections can pivot along the metal pole. Nevelson completed a series of these works around 1945. Known for her innovative monochromatic sculptures, later built mostly of assembled wood fragments, Nevelson painted this work all black, which she described as “the most aristocratic color of all.”
The Baltimore Museum of Art by gift, 1964; Mr. & Mrs. Sidney E. Cohn, New York, NY
Advancing Abstraction in Modern Sculpture

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American Wing Rotations 2024

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John-Paul Stonard, "Abstraction in Sculpture," "The Burlington Magazine," November 2010, CLII, p. 769.

Artist

Louise Nevelson

1898–1987

born Pereiaslav, Ukraine 1899; died New York, NY 1988
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Louise Nevelson
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1957
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1967
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1960
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1949–1959
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Heavy Forms (Pink Version)
1957
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1970–1975
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Pygmalion Is Inamored with a Statue He Had Made, and Venus at His Prayer Transforms into a Woman
1730–1732