Thomas Gainsborough
Mrs. Charles Tudway
1759
Physical Qualities
Oil on canvas, 89 x 60 1/2 in. (226.1 x 153.7 cm.)
Credit Line
The Jacob Epstein Collection
Object Number
1951.110
The subject of this portrait is Hannah Moore, the wife of Charles Tudway, a member of the English Parliament. Here, Mrs. Tudway is portrayed as she might be seen in her everyday life, with a drawstring bag hanging from her wrist and an ivory shuttle in hand for winding thread. She is shown in her home at Bath, a resort town on the Southwest coast of England where Gainsborough had settled in order to meet well-to-do patrons. The texture of Mrs. Tudway’s luscious silk dress was achieved by thin, almost impressionistic brushwork.
One of the England’s acclaimed eighteenth-century artists, Gainsborough painted both portraits and landscapes, often combining the two genres as he does in this composition, which offers a view of the countryside through the opening on the right.
The Baltimore Museum of Art on deposit; The Baltimore Museum of Art on extended loan, 1936-1951; the Mayor and City Council of Baltimore, by bequest, 1945; Jacob Epstein, by purchase, 1939; Sedelmeyer sale, Paris, 2nd April 1936, lot 7, bt. Knoedler; By descent to C.C. Tudway, Stoberry Park, Somerset, circa 1912;
Sedelmeyer Gallery, "Illustrated Catalogue of the Twelfth Series of 100 Paintings by Old Masters", Paris, 1913, no. 77.
Tancred Borenius, "English Paintings of the XVIII Century", Paris, 1939, p.14
"The Jacob Epstein Collection in the Baltimore Museum of Art". 1939. p.14
Ellis K. Waterhouse, "Preliminary Checklist of Portraits by Thomas Gainsborough 1948-1949", Walpole Society, Oxford, 1953, 33, pl. 108
"A Picture Book", The Baltimore Museum of Art, 1955, p. 35
Eloise Spaeth, "American Art Museums and Galleries: An Introduction to Looking", New York: Harper and Brothers, 1960, p. 48
Kenneth Garlick, "Some English Portraits in the Museum's Collections", Baltimore Museum of Art News Quarterly, 26:1, Fall 1962, p. 5
Herbert and Marjorie Katz, "Museums, USA", New York: Doubleday & Co., 1965, p.30
K.R. Greenfield, "The Museum: Its First Half Century", Annual I, The Baltimore Museum of Art, 1966, p.24
Belsey, Hugh. Thomas Gainsborough: The Portraits, Fancy Pictures and Copies After Old Masters. 2 vols. New Haven and London: Yale University Press; London: Paul Mellon Centre for Studies in British Art, 2019.