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Nature Spirit Mask

Yorùbá and Ijo

Nature Spirit Mask

Yoruba (Ijebu subgroup) or Ijo, 1899-1932

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Nature Spirit Mask

Yoruba (Ijebu subgroup) or Ijo, 1899-1932

Physical Qualities Wood, 14 H x 7 W x 6 D cm. (5 1/2 x 2 3/4 x 2 3/8 in.)
Credit Line Gift of Asif and Jean Shaikh, Chevy Chase, Maryland
Object Number 2005.233
The wide, bulging eyes of these masks refer to supernatural authority and the ability of those associated with the spiritworld to see things that humans cannot. In the context of the fast-moving masquerades in which each mask was danced, these disproportionate facial features helped communicate the metaphors embedded in each work.
The Baltimore Museum of Art by gift, 2005; Asif and Jean Shaikh, Chevy Chase, Maryland; purchased from L. Kahan Gallery, NY, 1997.
Subverting Beauty: African Anti-Aesthetics
Anderson, Martha G., ed., Ways of the rivers: Arts and Environment of the Niger Delta, Los Angeles: UCLA Fowler Museum of Cultural History, c2002, ch 6, pp 193-219.

Culture

Yorùbá

2000–2000

Meet Yorùbá →

Culture

Ijo

2000–2000

Meet Ijo →

Explore the Collection Further

Areogun of Osi-Ilorin and Yorùbá
Opon Igede (Container)
1929–1938
Dan
Dancing Spirit Mask (Tankë Ge / Tanka Gle / Tankirgle)
1900–1932
Yorùbá
Headdress (Egungun)
1904–1914
Baule
Figure of a Female Nature Spirit (Asie Usu) or Spirit Spouse (Blolo Bla)
1900–1932
Yorùbá
Gèlèdé Mask
1933–1966
Dan
Fierce Spirit Mask (Kaogle)
1900–1932
Yorùbá
Headdress (Igi Gèlèdé Oníjàkadi)
1933–1966
Igbo
Water Spirit Mask (Okoroshi Oma)
1933–1966
Yorùbá
Staff
1900–1932
Baule
Figure of a Female Nature Spirit (Asie Usu) or Spirit Spouse (Blolo Bla)
1933–1966
Yorùbá
Standing Male Figure
1933–1966
Marka
Spirit Mask (Bamda)
1900–1932