Obi Makura
1867-1925
Physical Qualities
Silk, cotton (?) padding, stiffened paper, 5 x 8-1/2 in. (12.7 x 21.6 cm.)
Credit Line
Gift of Clara Jane Shaull, Monkton, Maryland, from the Collection of Robert S. Shaull
Object Number
1990.303
(Anita Jones and Ann Marie Moeller, The Baltimore Museum of Art, Baltimore, MD, "Kimono and Obi: Romantic Echoes from Japan's Golden Age," July 10, 2016 - January 15, 2017. Wall label text. Object not displayed in show but mentioned and depicted in wall label for objects R.17748.3, R.17755.15, and R.17748.6 as shown below.)
Nagajuban and Obiage
Obi jime
20th century
Japan
Silk
Metallic threads
The nagajuban (under kimono) largely hidden beneath this
kurotomosode is red silk in a monochrome figured satin (rinzu).
For much of Japan’s history, commoners were forbidden to wear
red. During the Edo Era (1603–1868), those wealthy enough to
afford red cloth often hid this illegal fabric by using it for under
kimono or as kimono linings. Such restrictions ceased in the Meiji
Era (1868–1912), but wearing red silk nagajuban and red silk-lined
formal kimono remained fashionable until the mid-20th century.
The sash (obiage) of white rinzu holds a small hard pillow (obimakura)
within the top of the obi knot to add volume. The knotted
obi is held in place by a decorative cord (obi jime) tied in front.
Anonymous loan, R.17748.3;
R.17755.15; R.17748.6
[Photo, [Caption:]
Vintage obi-makura (BMA 1990.303) in the
Museum’s collection.
The Baltimore Museum of Art by gift 1990, Clara Jane Shaull, ex. collection Robert S. Shaull, (husband) by purchase in Manchuria.
Inscribed: Attached to the back of the pad: Paper labels and stamps with Japanese characters