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Palais des Césars

Charlotte Bonaparte, Zénaïde Bonaparte, and others

Palais des Césars

1827

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Palais des Césars

Charlotte Bonaparte, Zénaïde Bonaparte, and others

Palais des Césars

Palais des Césars

1827

Physical Qualities Crayon lithograph, Sheet: 244 × 306 mm. (9 5/8 × 12 1/16 in.) Image: 147 × 202 mm. (5 13/16 × 7 15/16 in.)
Credit Line The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number 1996.48.8095
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art, through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris

Inscribed: Inscribed: upper center "Rome"; lower left "Charlotte"; lower center "Palais des Césars / Vue prise de la Villa Mills / Dédié à Zénaïde"; lower right "1828 Lit. Salucci No. 563"

Markings: None

Artist

Charlotte Bonaparte

1801–1838

French, 1802 - 1839
Meet Charlotte Bonaparte

Dedicated to

Zénaïde Bonaparte

1800–1853

French, 1801 - 1854
Meet Zénaïde Bonaparte

Printer

Salucci

2000–2000

Meet Salucci
Not on View

Explore the Collection Further

BY SAME ARTIST
PRINTS, DRAWINGS & PHOTOGRAPHS
VIEW OF THE CONVENT AT SANT'ONOFRIO WHERE TORQUATO TASSO DIED
Charlotte Bonaparte, Juliette Récamier, and others
Vue du Couvent de St. Onofrio où mourût Le Tasse
1821–1831
BUSTE ANTIQUE DE MARBRE, DE CERES. AU PALAIS DES THUILLERIES.
Etienne Baudet
Buste antique de marbre, de Ceres. Au Palais des Thuilleries.
1676
Women by the Sea with Bundles on Their Heads, after Napoleon
Charlotte Bonaparte, Léopold Robert, and others
Women by the Sea with Bundles on Their Heads, after Napoleon
1827–1838
ARMIDE IRRITÉE DU DEPART DE RENAUD, QU'ELLE AIMOIT, FAIT DETRUIRE SON PALAIS (ARMIDA ANGRY AT THE DEPARTURE OF RINALDO, WHO SHE LOVES, DESTROYS HIS PALACE)
Charles-Nicolas Cochin I and Jean Restout
Armide irritée du depart de Renaud, qu'elle aimoit, fait detruire son palais (Armida angry at the departure of Rinaldo, who she loves, destroys his palace)
1735
MONSIEUR AND MADAME PRUDHOMME CHOSE A COSTUME BEFITTING THE LOCAL COLOUR FOR THEIR VISIT OF THE PALAIS POMPEIEN ON THE CHAMPS-ELYSÉES
Honoré Daumier
Mr et Mme Prudhomme prenant un costume couleur local pour visiter le Palais Pompéien des Champs-Elysées.
1865
THE RETURN OF ULYSSES. / AT THE DOOR TO THE PALACE HIS FAITHFUL POODLES / THE ONLY TO RECOGNIZE HIM - REFUSED THEIR NOODLES / THEY CAME WITH THEIR PLATES TO HELP IN THE FIGHT / TO AN ENDEVAOUR THAT BROUGHT ITHACA BACK TO LIGHT.
Honoré Daumier
Le retour d'Ulysses. / Aux portes du palais, son caniche fidèle / Seul de ses vieux amis le reconnut soudain, / Et fut, sublime instinct! s'emparer d'une écuelle / Pour seconder Ulysse en son rusé dessein. / (Odyssée, Poésies légères de Mr. Vatout.)
1841
Prestige Cloth with Interlock Design
Shoowa and Unidentified
Prestige Cloth with Interlock Design
1899–1939
Prestige Cloth with Thick Pile and "Double Knot" Design
Kuba, Shoowa, and others
Prestige Cloth with Thick Pile and "Double Knot" Design
1949–1968
Prestige Cloth with Thick Pile and "Jagged Blocks" Design
Kuba, Shoowa, and others
Prestige Cloth with Thick Pile and "Jagged Blocks" Design
1958–1986