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Lovering Ricketts

Pianoforte

1819-1829

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Lovering Ricketts

Pianoforte

1819-1829

Physical Qualities Mahogany, mahogany veneers, maple veneers, stained poplar, white pine, yellow pine, gilt brass molding and roundels, brass feet and casters, ivory, ebony keys, 35 5/8 x 67 7/8 x 32 in. (90.5 x 172.4 x 81.3 cm.)
Credit Line Purchase with exchange funds from Gift of Mrs. Henry V. Ward
Object Number 1973.31
The maker of this pianoforte, Lovering Ricketts, was one of more than twenty pianoforte makers working in Baltimore in the first four decades of the nineteenth century. We can ssume that he made or supervised the construction of his piano cases. This rectangular case with canted front corners is veneered with choice grained mahogany and highlighted with panels of maple veneer in the manner typical of Baltimore Empire-style furniture. Bird's-eye maple is used along the lower case front and above the keyboard, and a strip of tiger maple veneer is under the keyboard. The two complex applied ormolu strip moldings that extend around three sides of the lower case are unusual in Baltimore furniture of the period. The pianoforte is supported at each end by heavy saber-legged pedestal supports, whose fine carving avoids the overstatement common to much design of this period. Gilt brass molding and roundels, brass feet and casters; ivory and ebony keys
Baltimore Museum of Art by purchase, 1973
Elder III, William Voss and Jayne E. Stokes. American Furniture 1680-1880: From the Collection of the Baltimore Museum of Art. Baltimore: Museum of Art, 1987, p.179-180, ill. 139.
Gregory R. Weidman, "Furniture in Maryland 1740-1940: The Collection of The Maryland Historical Society," Baltimore: Maryland Historical Society, 1984, pp.
47-151, 311.
William Voss Elder III, "Baltimore Painted Furniture, 1800-1840," (ex. cat.), 1972, pp. 96-129.

Inscribed: Inset panel above the keyboard, in gold on red leather, "L. RICKETTS/BALTIMORE" On back of panel above keyboard, 'Henry Hull[...]n No 1 March the 1[0] 183[4]' On right corner of sounding board, in gold letters, 'L. Ricketts.' Above his name, stenciled, 'Bernard Hanson and Custom Rebuilt.'

Maker

Lovering Ricketts

1813–1829

American, working Baltimore, 1814-c. 1830
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