Jules Bastien-Lepage
Pietà
1875-1877
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Jules Bastien-Lepage
Pietà
1875-1877
Physical Qualities
Watercolor over graphite, Sheet: 156 x 241 mm. (15.6 x 24.1 cm.)
Credit Line
Gift of James R. Herbert Boone, Baltimore
Object Number
1963.259
The Baltimore Museum of Art by gift, 1963; Peter C. Reiner, New York; J. Bastien-Lepage Sale, Galerie Georges Petit, Paris, May 11 and 12, 1885 (?).
The Drawing Shop, New York, 'The Non-Dissenters', 1962, no. 45.
Pomona College Gallery, Claremont, CA, "Muse or Ego: Salon and Independant Artists of the 1880s," 1963, no. 2.
Shepherd Gallery Associates, New York, NY, "The Non-Dissenters: David through Puvis de Chavannes," May-June 1968, no. 193, (not reproduced).
Shepherd Gallery Associates, New York, NY, "The Non-Dissenter," Apr. 30 - June 15, 1968.
Shepherd Gallery Associates, New York, NY, "Ingres and Delacroix through Degas and Puvis de Chavannes: The Figure in French Art 1800-1870," 1975, p. 371, no. 155, ill. p. 372.
Shepherd Gallery Associates, New York, NY, "Christian Imagery in French Nineteenth Century Art," May 20 - July 26, 1980.
Shepherd Gallery Associates, New York, NY, "Christian Imagery in French Nineteenth Century Art 1789-1906," May 20-July 26, 1980, no. 157, ill. p. 391.
Ecole des Beaux-Arts, Paris, "Jules Bastien-Lepage," 1885, no. 13.
Sona K. Johnson, BMA, Baltimore, "Barbizon and Impressionist Works from The Baltimore Museum of Art," circulated by Brain Trust to Yamanashi Prefectural Museum of Art, January 11-February 16, 2003; Sakura City Museum of Art, Chiba, February 27-March 30, 2003; Okazaki City Museum, April 5-May 18, 2003; Suntory Museum, Osaka, May 24-July 6, 2003; Miyazaki Prefectural Museum, July 12-August 17, 2003.
Jay McKean Fisher, William R. Johnston and Cheryl K. Snay, 'The Essence of Line: French Drawings from Ingres to Degas,' organized by The Walters Art Museum and The Baltimore Museum of Art, circulated to The Walters Art Museum June 19, 2005 - September 11, 2005, The Birmingham Museum of Art February 9, 2006 - May 4, 2006, Tacoma Art Museum June 9, 2006 - September 7, 2006.
Pomona College Gallery, Claremont, CA, "Muse or Ego: Salon and Independant Artists of the 1880s," 1963, no. 2.
Shepherd Gallery Associates, New York, NY, "The Non-Dissenters: David through Puvis de Chavannes," May-June 1968, no. 193, (not reproduced).
Shepherd Gallery Associates, New York, NY, "The Non-Dissenter," Apr. 30 - June 15, 1968.
Shepherd Gallery Associates, New York, NY, "Ingres and Delacroix through Degas and Puvis de Chavannes: The Figure in French Art 1800-1870," 1975, p. 371, no. 155, ill. p. 372.
Shepherd Gallery Associates, New York, NY, "Christian Imagery in French Nineteenth Century Art," May 20 - July 26, 1980.
Shepherd Gallery Associates, New York, NY, "Christian Imagery in French Nineteenth Century Art 1789-1906," May 20-July 26, 1980, no. 157, ill. p. 391.
Ecole des Beaux-Arts, Paris, "Jules Bastien-Lepage," 1885, no. 13.
Sona K. Johnson, BMA, Baltimore, "Barbizon and Impressionist Works from The Baltimore Museum of Art," circulated by Brain Trust to Yamanashi Prefectural Museum of Art, January 11-February 16, 2003; Sakura City Museum of Art, Chiba, February 27-March 30, 2003; Okazaki City Museum, April 5-May 18, 2003; Suntory Museum, Osaka, May 24-July 6, 2003; Miyazaki Prefectural Museum, July 12-August 17, 2003.
Jay McKean Fisher, William R. Johnston and Cheryl K. Snay, 'The Essence of Line: French Drawings from Ingres to Degas,' organized by The Walters Art Museum and The Baltimore Museum of Art, circulated to The Walters Art Museum June 19, 2005 - September 11, 2005, The Birmingham Museum of Art February 9, 2006 - May 4, 2006, Tacoma Art Museum June 9, 2006 - September 7, 2006.
Sona K. Johnson et al, "Barbizon and Impressionist Works from The Baltimore Museum of Art," Tokyo: "Barbizon and Impressionist Works from The Baltimore Museum of Art" catalogue committee, 2003, no. 84,, p. 115, ill.
Fisher, Jay McKean, et al. The Essence of Line: French drawings from Ingres to Degas. University Park, PA: Pennsylvania State University Press, 2005, p. 102-03, ill.
Inscribed: VERSO: C, graphite, '12 / [illegible] 13% 23 % / bristol vert chine [illegible] / s-v 42-31[?]'; UR, graphite, '14'.
