Anne Allen and Jean Pillement
Plate from Nouvelle suite de cahiers de desseins chinois à l’usage des dessinateurs et des peintres
1790-1800
Scroll
- Artist: Anne Allen
- Artist: Jean Pillement
Plate from Nouvelle suite de cahiers de desseins chinois à l’usage des dessinateurs et des peintres
1790-1800
Physical Qualities
Color etching inked à la poupée, Sheet: 258 x 231 mm. (10 3/16 x 9 1/8 in.)
Plate: 195 x 139 mm. (7 11/16 x 5 1/2 in.)
Credit Line
Blanche Adler Memorial Fund
Object Number
2011.114.3
Little is known about Anne Allen aside from the fact that she created nine series of exquisite ornament etchings after the designs of her husband Jean Baptiste Pillement. (For two other examples of his work, please see the paintings Landscape with Ruin and Landscape with Cattle hanging nearby.) Here the chinoiserie designs catered to eighteenth-century taste for the exotic, but also, as the extended title reminds us (New Suite of Notebooks of Chinese Designs for the Use of Designers and Painters), served as sources of inspiration for artists. The flurry of brown ink marks in the left margin of the title plate suggests that an artist was testing out his or her pen before copying these arabesque compositions.
The Baltimore Museum of Art by purchase, 2011; James A. Bergquist, Newton, MA
Victor Carlson and John Ittman, Regency to Empire: French Printmaking 1715-1814, exh cat Baltimore Museum of Art and Minneapolis Institute of Art, 1984, #115.
Margaret Morgan Grasselli, Colorful Impressions: The Printmaking Revolution in Eighteenth-Century France, exh cat. National Gallery of Art, 2003, cat no 88-91.
Margaret Morgan Grasselli, Colorful Impressions: The Printmaking Revolution in Eighteenth-Century France, exh cat. National Gallery of Art, 2003, cat no 88-91.
Signed: 2
Inscribed: lower left in plate: "J. Pillement in."
