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Porte de Versailles at the Point-du-Jour

Maxime Lalanne and Cadart & Luce

Porte de Versailles at the Point-du-Jour

1869-1870

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Porte de Versailles at the Point-du-Jour

Maxime Lalanne and Cadart & Luce

Porte de Versailles at the Point-du-Jour

Porte de Versailles at the Point-du-Jour

1869-1870

Physical Qualities Etching, Sheet: 490 x 722 mm. (19 5/16 x 28 7/16 in.) Image: 371 x 627 mm. (14 5/8 x 24 11/16 in.)
Credit Line The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number 1996.48.12392
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art,
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris

Inscribed: Signed in plate: lower right "Lalanne" Inscribed in plate: lower left "Maxime Lalanne, del. et sculp."; lower center "PORTE DE VERSAILLES AU POINT DU JOUR / 1870-71"; lower right "Paris, CADART & LUCE, Edit. Imp."

Markings: None

Artist

Maxime Lalanne

1826–1885

French, 1827-1886
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Publisher

Cadart & Luce

1867–1870

operated c. 1868 - 1871
Meet Cadart →
Not on View

Explore the Collection Further

BY SAME ARTIST
PRINTS, DRAWINGS & PHOTOGRAPHS
SEVILLE
Maxime Lalanne and Auguste Delâtre
À Seville
1865
PORTE DE VERSAILLES AT THE POINT-DU-JOUR
Maxime Lalanne
Porte de Versailles au Point du Jour
1869–1870
ALPINE VALLEY; SEVILLE; RIVER SCENE
Maxime Lalanne and Auguste Delâtre
Vallée des Alpes; à Seville; River Scene
1865
THE POINT-DU-JOUR
Auguste Lepère
Le Point-du-Jour
1889
WOMAN SEATED AT A BRIDGE IN RUINS
Maxime Lalanne and Veuve A. Cadart
Woman Seated at a Bridge in Ruins
1865
THE POINT-DU-JOUR
Auguste Lepère
Le Point-du-Jour
1889
ITALIAN LANDSCAPE
Maxime Lalanne, Adam Pÿnacker, and others
Paysage d'Italie
1872
VIEW FROM THE VIADUCT OF POINT-DU-JOUR
Maxime Lalanne and Cadart & Luce
View from the Viaduct of Point-du-Jour
1869–1870
ITALIAN LANDSCAPE
Maxime Lalanne and Adam Pÿnacker
Paysage d'Italie
1872
VIEW FROM THE VIADUCT OF POINT-DU-JOUR
Maxime Lalanne
Vue prise du viaduc de Point du Jour
1869–1870
ITALIAN LANDSCAPE
Maxime Lalanne and Adam Pÿnacker
Paysage d'Italie
1872
THE EARLY MORNING CALLER. THIS PERSON ENTERS YOUR HOME EARLY IN THE MORNING AND WALKS STEALTHILY LIKE A THIEF. IF YOU WAKE UP, HE PRETENDS HAVING ENTERED THE WRONG APARTMENT, LOOKING FOR A MR. PIERRE OR A MR. PAUL. HE IS ABASHED WITH APOLOGIES AND RETREATS AFTER CARRYING OFF WHAT HAS FALLEN INTO HIS HANDS. THIS MAN WORKS AROUND ALL THE HOTELS, KNOWING THAT THE TRAVELLERS HAVE THE HABIT OF LEAVING THEIR KEY IN THE DOOR.
Honoré Daumier
Le Bonjourien. Le bonjourien entre chez vous de grand matin et marche à pas de loup. Si vous vous réveillez il feint de s'être trompé d'appartement, et de chercher un M. Pierre ou un M. Paul; il se confond en excuse et se retire en emportant ce qui lui est tombé sous la main. - Le bonjourien exploite surtout les hôtels à cause de l'habitude qu'on les voyageurs de laisser la clé sur la porte.
1834