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Portrait de Monsieur Sebille, architecte

Norbert Goeneutte

Portrait de Monsieur Sebille, architecte

1873-1887

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Portrait de Monsieur Sebille, architecte

Norbert Goeneutte

Portrait de Monsieur Sebille, architecte

Norbert Goeneutte

Portrait de Monsieur Sebille, architecte

1873-1887

Physical Qualities Etching and drypoint, Sheet: 380 x 178 mm. (14 15/16 x 7 in.) Plate: 353 x 149 mm. (13 7/8 x 5 7/8 in.)
Credit Line The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number 1996.48.5275
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art, through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris

Inscribed: None

Markings: Watermark: (monogram, unidentified)

Artist

Norbert Goeneutte

1853–1893

French, 1854-1894
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BY SAME ARTIST
PRINTS, DRAWINGS & PHOTOGRAPHS
FANTASY
Norbert Goeneutte
Jeune femme sur un canapé
1876
DELIGHTED TO FIND HIMSELF ON SHOW, THE ORIGINAL TAKES HIS WIFE TO THE EXHIBITION, AND PLACES HER BEFORE HIS IMAGE TO ENJOY THE OPINION OF THE CROWD. - LOOK, SOME SAY, IT'S THE CHINESE COMMISSIONER LIN! - NO, OTHERS SAY, DON'T YOU SEE, IT'S NATURAL HISTORY! - IT'S... RESUMES ONE GENTLEMAN IN POSSESSION OF THE CATALOGUE, IT'S THE PORTRAIT OF MR. D..... INSURANCE BROKER: - OH WELL, WITH A BONCE LIKE THAT HE DOESN'T NEED TO INSURE HIMSELF, HE'LL NOT
Honoré Daumier
Charmé de se voir exposé, l'original ici présent conduit son épouse au salon, et la place devant son image, pour jouir du jugement de la foule. - Tiens disent les uns, c'est le Commissaire chinois Lin! - Non, disent les autres, vous ne voyez pas que c'est de l'histoire naturelle! - C'est, reprend un Monsieur possesseur du livret, c'est le portrait de Mr. D...., courtier d'assurances. - Ah ben avec une boule comme ça, il n'a pas besoin de s'assurer, on ne l'enlevera pas. (Madame sa femme sort extrêmement flattée).
1841
THE BOULEVARD DE CLICHY
Norbert Goeneutte
Petite vue du boulevard de Clichy
1869–1879
WHEN ONE'S PORTRAIT IS EXHIBITED AT THE SALON. - IT'S FLATTERING, ISN'T IT EUDOXIE, TO BE SHOWN LIKE THIS IN PUBLIC, AND I DON'T REGRET THE 200 FRANCS IT HAS COST US... THERE IS A MAN LOOKING AT US... HE SEEMS TO THINK HIGHLY OF US! - (THE ART STUDENT): HOW CAN ANYBODY HAVE THE NERVE TO SIT FOR A PORTRAIT WITH A FACE LIKE THAT!
Honoré Daumier
Quand on a Son Portrait au Salon. - C'est tout d'même flatteur, Eudoxie, d'être exposé comme ça en public et je ne regrette pas les deux cents francs que ça nous a coûté..... voilà un monsieur qui nous regarde, il a l'air de nous trouver bien!.... (Le Rapin) Est-il Dieu permis de se faire peindre, quand on a des balles pareilles.
1844
HENRI GUÉRARD CONSULTING A BOX OF PRINTS
Norbert Goeneutte
Henri Guérard consultant un carton d'estampes
1875
PORTRAIT, POSSIBLY OF MARY ANN TRITT CASSELL
James Alexander Simpson
Portrait of Rebecca Lee Barker or Mary Ann Tritt Cassell
1833–1843
MARKET IN PONTOISE
Norbert Goeneutte
Marché de Pontoise
1888–1898
PORTRAIT STUDIES
Ozias Humphry
Portrait studies
1785
THE MARKET AT PONTOISE, PLACE DU PETIT MARTROY
Norbert Goeneutte
Le marché de Pontoise, place du Petit Martroy
1888–1898
SELF-PORTRAIT
Sarah Biffin
Self-Portrait
1841
ROCKING CHAIR
Norbert Goeneutte
La Berceuse
1881–1891
PORTRAIT OF A WOMAN
Lilly Steiner
Portrait of a Woman
1927