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Portrait de sa Femme

Camille Roqueplan

Portrait de sa Femme

1822-1854

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Portrait de sa Femme

Camille Roqueplan

Portrait de sa Femme

Camille Roqueplan

Portrait de sa Femme

1822-1854

Physical Qualities Lithograph, 298 × 248 mm. (11 3/4 × 9 3/4 in.)
Credit Line The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number 1996.48.7070
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art, through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris

Markings: CM: Maryland Institute Lucas Collection (Lugt 1695c)

Artist

Camille Roqueplan

1799–1854

French, 1800 - 1855
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BY SAME ARTIST
PRINTS, DRAWINGS & PHOTOGRAPHS
THE LOVE LETTER
William Humphreys and Camille Roqueplan
The Love Letter
1813–1864
PORTRAIT DE LA FEMME DE MARTIN DAY
Léopold Flameng and Rembrandt van Rijn
Portrait de la femme de Martin Day
1850–1887
STREET SCENE
Camille Roqueplan
Street Scene
1822–1854
PORTRAIT OF A WOMAN (PORTRAIT DE FEMME)
Karl Koepping, Rembrandt van Rijn, and others
Portrait of a Woman (Portrait de femme)
1873–1883
THE FOUNTAIN
Camille Roqueplan, Louis-Pierre-Alphonse Bichebois, and others
La Fontaine
1822–1854
PORTRAIT OF A WOMAN
Adolphe Lalauze and Rembrandt van Rijn
Portrait de Femme
1625–1668
THE WALK
Camille Roqueplan, E. Ardit, and others
La Promenade
1822–1854
ANNE CHARLOTTE GAUTHIER DE LOISEROLLE, FEMME D'AVED, PEINTRE DU ROY (PORTRAIT OF MADAME AVED)
Jean Joseph Baléchou and Jacques André Joseph Aved
Anne Charlotte Gauthier de Loiserolle, femme d'Aved, Peintre du Roy (Portrait of Madame Aved)
1742
THE STOUP
Camille Roqueplan and E. Ardit
Le Bénitier
1822–1854
PORTRAIT OF AN OLD WOMAN
Félix Bracquemond, Rembrandt van Rijn, and others
Portrait d'une Vieille Femme
1867
APPLES
Camille Roqueplan and H. Gaugain
Les Pommes
1822–1854
DELIGHTED TO FIND HIMSELF ON SHOW, THE ORIGINAL TAKES HIS WIFE TO THE EXHIBITION, AND PLACES HER BEFORE HIS IMAGE TO ENJOY THE OPINION OF THE CROWD. - LOOK, SOME SAY, IT'S THE CHINESE COMMISSIONER LIN! - NO, OTHERS SAY, DON'T YOU SEE, IT'S NATURAL HISTORY! - IT'S... RESUMES ONE GENTLEMAN IN POSSESSION OF THE CATALOGUE, IT'S THE PORTRAIT OF MR. D..... INSURANCE BROKER: - OH WELL, WITH A BONCE LIKE THAT HE DOESN'T NEED TO INSURE HIMSELF, HE'LL NOT
Honoré Daumier
Charmé de se voir exposé, l'original ici présent conduit son épouse au salon, et la place devant son image, pour jouir du jugement de la foule. - Tiens disent les uns, c'est le Commissaire chinois Lin! - Non, disent les autres, vous ne voyez pas que c'est de l'histoire naturelle! - C'est, reprend un Monsieur possesseur du livret, c'est le portrait de Mr. D...., courtier d'assurances. - Ah ben avec une boule comme ça, il n'a pas besoin de s'assurer, on ne l'enlevera pas. (Madame sa femme sort extrêmement flattée).
1841